Yasnaya Polyana School

Notes
Dvorovaya dyevka, the daughter of a serf attached to the bar sky dvor, or mansion-house. Alekse'i Vasiiyevitch Koltsof (1809-1842), a distinguished poet, by some called the Burns of Russia. The ponomar, or paramonar, a word derived from modern Greek, airl signifying doorkeeper, sacristan. One of the domestic servants, formerly serfs, like the little girl mentioned. Dvorovui, or domestic servant. Dvornik, generally one who serves in a dvor; also house-porter. Here, one who occupies a dvor, including house and land. Little Olga. The fantastic story of a beautiful and wealthy maiden who is in reality a witch, and causes the destruction of the groom who falls in love with her. Diminutive of Feodor, Theodore; as Semka is of Semyon. Fifty sazhen. Contemptuous diminutive of Gavriil, Gabriel. Batya, shortened form of b... (From : Wikisource.org.)

Chapter 38 : Singing
Last summer we were coming home from bathing. All of us were feeling very gay. A peasant lad, the very one who had been enticed by the domestic peasant lad into stealing books, a wide-cheeked, thick-set lad, all covered with freckles, with crooked, knock-kneed legs, with all the ways of a grown-up muzhik of the steppe, but a clever, strong, and gifted nature, ran ahead and sat in the wagon, which was proceeding in front of us. He picked up the reins, cocked his hat, spat to one side, and burst out into a dragging muzhik song oh, how he sang! with feeling, with repose, with the full power of his lungs! The children laughed: - "Semka, Semka lo! how cleverly he sings!" Semka was perfectly serious. "There, now, don't you interrupt my song!" said he, in a pause, using a peculiar and purposely hoarse voice, and then he went on with his song sedately. Two very musical lads took their places in the cart and began to take th... (From : Wikisource.org.)

Chapter 37 : Drawing
When, nine months ago, I entered upon the teaching of drawing, I had as yet no definite plan, either for laying out the course of instruction or for guiding the pupils. I had neither designs nor models, save for a few albums of illustrations, which, however, I did not make use of at the time of my most advanced lessons, confining myself to simple auxiliary means, such as can always be found in every country school. A painted wooden board, chalk, slates, and rectangular boards of various sizes, and sticks, which we had used in the visual teaching of mathematics these were all the material we had for our instruction, and yet we were not hindered from copying everything that came under our hands. Not one of the pupils had ever before had any lessons in drawing; they brought to me only their faculty of judgment, which they were given perfect liberty to express when and as they pleased, and which I wanted as a guide to teach me their requirements so that... (From : Wikisource.org.)

Chapter 36 : The Arts
In the sketch of the Yasnaya Polyana School during the months of November and December, I have now to speak of two subjects which have an entirely distinct character from all the others: these are drawing and singing the arts. If I had not my own views, based on the fact that I don't know why any one should study either, I should be obliged to ask myself: Is the study of art profitable for peasant children, put under the necessity of working all their lives long just for their daily bread, and what is the good of it? Ninety-nine out of a hundred would answer this question in the negative. And it is impossible to answer otherwise. As soon as this question is put, sound common sense demands such an answer: he is not to be aft artist; he will have to plow. If he has artistic demands, he will not have the power to endure the steady unwearying labor which he must endure; which, if he does not endure, the very existence of the empire would be... (From : Wikisource.org.)

Chapter 35 : Geography
In the teaching of geography I did the same thing. First of all, I began with physical geography. I remember the first lesson. I began it, and immediately lost my way. The result obtained was what I did not at all anticipate; namely, that I did not know what I wanted ten-year-old peasant children to learn. I was able to explain "day" and "night," but in my explanation of "winter" and "summer" I went astray. Ashamed of my ignorance, I tried it again, and then I asked many of my acquaintances, cultivated men, and no one except those that had recently left school, or teachers, was able to give me a very good explanation without a globe. I beg all who read this to test this observation. I affirm that out of a hundred men not more than one knows this, though all children are taught it. Having rehearsed pretty carefully, I once more took up the explanation, and with the aid of a candle and a globe, I explained it, as it seemed to me, admirably. Th... (From : Wikisource.org.)

The Evening Session
In the evening we have singing, graded reading, dialogues, physical experiments, and the writing of compositions. The most popular of these subjects are reading and the experiments. During the reading the older ones collect in a star around the great center-table, with their heads together, their legs at every angle; one reads, and the others all repeat what has been read. The younger ones have a book for each two; and, if they understand it, they read it just as we grown people do; holding the book to the light, and supporting themselves on their elbows so as to make it easier, and evidently they take great comfort in it. Some try to enjoy two comforts at once, and stand by the heated stove warming themselves and reading at the same time. ... (From : Wikisource.org.)

Proshchai And Proschaite
We returned to the village. Fedka had not once let go of my hand. It seemed to me that he held it now out of gratefulness. We were all brought so close together that night! as we had not been for a long time. Pronka walked abreast with us, along the wide village street. "See, there 's a light at the Mazanofs' yet!" said he. "As I was going to school to-day, Gavriukha was coming out of the tavern dr-u-u-unk!" he added, "blind drunk; his horse was all of a lather, and he was beating her like everything. I feel sorry even now! Indeed, I do! Why should he beat her? And lately, father," said Semka, "he drove his horse from Tula, and she ran him into a snowdrift, but he was asleep, he was so drunk!" "But Gavriukha was beating his horse right acro... (From : Wikisource.org.)

The Classes
The two smaller classes are put by themselves in one room; the older scholars are in another. When the teacher goes to the first class, all gather around him at the blackboard, or on the benches, or they climb on the table, or sit down around him or one of those that are reading. If it happen to be for writing, they take more comfortable positions, but they keep getting up, so as to look at each other's copy-books and show their own to the teacher. It is calculated that the time till dinner will be occupied by four lessons; but often only three or two are introduced, and sometimes the roster is entirely changed. If the teacher begins with arithmetic, he may go over to geometry; or if he begins with sacred history, he may end with grammar. S... (From : Wikisource.org.)

The Writing Of Compositions
In the first and second classes the choice of compositions is granted the scholars. The favorite subject for these boys are the Old Testament stories, which they will write two months after they have been related by the teacher. The first class not long ago began to write on New Testament history, but this was not nearly so successful as the Old; they even made more mistakes in spelling in it. They did not understand it so well. In the first class we tried compositions written on given themes. The early themes, which, by the most natural process, first came into our heads, were descriptions of simple objects, such as corn, a cottage, a tree, etc.; but to our extreme amazement their labors on these subjects almost brought the tears into the ... (From : Wikisource.org.)

Specimens Of Compositions
For lack of space we must omit the description of the teaching of language and other subjects and the extracts from the teachers' diaries; but here we will cite specimens of the compositions of two of the pupils in the first class, making no change in spelling or punctuation. B, a very poor scholar, but a lad of keen and original mind, wrote compositions about Tula, and about his studies. The one about his studies had a great success among the scholars. B - was eleven years old, and had been at school at Yasnaya Polyana three winters; but he had studied before. "About Tula" — "The other Sunday I went to Tula again. When we got there Vladimir Aleksandrovitch told me and Vaska Zhdanof to go to Sunday-school. We went and we went and we w... (From : Wikisource.org.)