Yasnaya Polyana School

Untitled Anarchism Yasnaya Polyana School

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Dvorovaya dyevka, the daughter of a serf attached to the bar sky dvor, or mansion-house. Alekse'i Vasiiyevitch Koltsof (1809-1842), a distinguished poet, by some called the Burns of Russia. The ponomar, or paramonar, a word derived from modern Greek, airl signifying doorkeeper, sacristan. One of the domestic servants, formerly serfs, like the little girl mentioned. Dvorovui, or domestic servant. Dvornik, generally one who serves in a dvor; also house-porter. Here, one who occupies a dvor, including house and land. Little Olga. The fantastic story of a beautiful and wealthy maiden who is in reality a witch, and causes the destruction of the groom who falls in love with her. Diminutive of Feodor, Theodore; as Semka is of Semyon. Fifty sazhen. Contemptuous diminutive of Gavriil, Gabriel. Batya, shortened form of b... (From : Wikisource.org.)

Chapter 38 : Singing
Last summer we were coming home from bathing. All of us were feeling very gay. A peasant lad, the very one who had been enticed by the domestic peasant lad into stealing books, a wide-cheeked, thick-set lad, all covered with freckles, with crooked, knock-kneed legs, with all the ways of a grown-up muzhik of the steppe, but a clever, strong, and gifted nature, ran ahead and sat in the wagon, which was proceeding in front of us. He picked up the reins, cocked his hat, spat to one side, and burst out into a dragging muzhik song oh, how he sang! with feeling, with repose, with the full power of his lungs! The children laughed: - "Semka, Semka lo! how cleverly he sings!" Semka was perfectly serious. "There, now, don't you interrupt my song!" said he, in a pause, using a peculiar and purposely hoarse voice, and then he went on with his song sedately. Two very musical lads took their places in the cart and began to take th... (From : Wikisource.org.)

Chapter 37 : Drawing
When, nine months ago, I entered upon the teaching of drawing, I had as yet no definite plan, either for laying out the course of instruction or for guiding the pupils. I had neither designs nor models, save for a few albums of illustrations, which, however, I did not make use of at the time of my most advanced lessons, confining myself to simple auxiliary means, such as can always be found in every country school. A painted wooden board, chalk, slates, and rectangular boards of various sizes, and sticks, which we had used in the visual teaching of mathematics these were all the material we had for our instruction, and yet we were not hindered from copying everything that came under our hands. Not one of the pupils had ever before had any lessons in drawing; they brought to me only their faculty of judgment, which they were given perfect liberty to express when and as they pleased, and which I wanted as a guide to teach me their requirements so that... (From : Wikisource.org.)

Chapter 36 : The Arts
In the sketch of the Yasnaya Polyana School during the months of November and December, I have now to speak of two subjects which have an entirely distinct character from all the others: these are drawing and singing the arts. If I had not my own views, based on the fact that I don't know why any one should study either, I should be obliged to ask myself: Is the study of art profitable for peasant children, put under the necessity of working all their lives long just for their daily bread, and what is the good of it? Ninety-nine out of a hundred would answer this question in the negative. And it is impossible to answer otherwise. As soon as this question is put, sound common sense demands such an answer: he is not to be aft artist; he will have to plow. If he has artistic demands, he will not have the power to endure the steady unwearying labor which he must endure; which, if he does not endure, the very existence of the empire would be... (From : Wikisource.org.)

Chapter 35 : Geography
In the teaching of geography I did the same thing. First of all, I began with physical geography. I remember the first lesson. I began it, and immediately lost my way. The result obtained was what I did not at all anticipate; namely, that I did not know what I wanted ten-year-old peasant children to learn. I was able to explain "day" and "night," but in my explanation of "winter" and "summer" I went astray. Ashamed of my ignorance, I tried it again, and then I asked many of my acquaintances, cultivated men, and no one except those that had recently left school, or teachers, was able to give me a very good explanation without a globe. I beg all who read this to test this observation. I affirm that out of a hundred men not more than one knows this, though all children are taught it. Having rehearsed pretty carefully, I once more took up the explanation, and with the aid of a candle and a globe, I explained it, as it seemed to me, admirably. Th... (From : Wikisource.org.)

Blasts from the Past

The Thief
The other case. In the summer, while repairs were making in the building, a Leyden jar was taken from the physical laboratory, pencils several times were missing, and books also were missing at a time when no carpenter or painter was at work in the building. We questioned the boys. The best scholars, the first scholars at that time, old friends of ours, reddened and grew so confused that any magistrate would have been convinced that their confusion was proof positive of their guilt. But I knew them, and could depend on them as on myself. I comprehended that the mere thought of suspicion deeply and painfully wounded them. One lad, whom I will call Feodor, a gifted and opulent nature, turned quite white and burst into tears. They declared tha... (From : Wikisource.org.)

The Appearance Of The Room
The pupils sit wherever they please, on benches, chairs, on the window-sill, on the floor, or in the armchair. The girls always sit by themselves. Friends, those from the same village, and especially the little ones for there is more comradeship among them are always together. As soon as one of them decides to sit in a certain corner, all his playmates, pushing and diving under the benches, manage to get to the same place, sit in a row, and as they glance around they show such an expression of perfect bliss and satisfaction in their faces, as if nothing in all the rest of their lives could ever give them so much happiness as to sit in those places. The moment they come into the room, the big armchair presents itself as an object of envy for... (From : Wikisource.org.)

The Teaching Of Grammar
We made various experiments in teaching grammar, and must confess that no one of them succeeded in our aim of rendering this study attractive. In the summer, in the second and first classes, a new teacher made a beginning with explaining the parts of speech, and the children at least some of them at first were interested, as they would have been in charades and enigmas. Often, after the lesson was finished, they recurred to the idea of enigmas, and amused themselves in puzzling one another with such questions as, "Where is the predicate?" or "What sits in the spoon, Letting his legs hang down?" But there was no application to correct writing, or if there was any it was rather to erroneous than to correct sentences. Just exactly as it was wi... (From : Wikisource.org.)

The Writing Of Compositions
In the first and second classes the choice of compositions is granted the scholars. The favorite subject for these boys are the Old Testament stories, which they will write two months after they have been related by the teacher. The first class not long ago began to write on New Testament history, but this was not nearly so successful as the Old; they even made more mistakes in spelling in it. They did not understand it so well. In the first class we tried compositions written on given themes. The early themes, which, by the most natural process, first came into our heads, were descriptions of simple objects, such as corn, a cottage, a tree, etc.; but to our extreme amazement their labors on these subjects almost brought the tears into the ... (From : Wikisource.org.)

The End of the Hour
The teacher brings his story to a close, and all arise from their places, and, gathering around the teacher, trying to outshout each other, they begin to tell all that they can remember. The noise of their voices becomes terrible. The teacher does his best to bring them to quiet. Those who are forbidden to tell what they know so perfectly, are not to be restrained in that way; they hasten to another teacher, or if one is not present, to one of their mates, or to any stranger, even to the stove-tender; they go in twos and threes, rushing from one room to another, in search of some one to hear them. Sometimes one will tell it all by himself. Others form groups of various numbers, and rehearse it, prompting, making additions, and correcting on... (From : Wikisource.org.)

I Never Forget a Book

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