The Voice of the Fire — Chapter 3 : In the Drownings, Post AD 43

By Alan Moore

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Untitled Anarchism The Voice of the Fire Chapter 3

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(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)


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Chapter 3

In the Drownings, Post AD 43

The plaiting of the rushes and the cutting of the stilts. A hollow beak that spits out darts; its making and its use. The method of these things is like a voice inside that endlessly repeats its dull instructions. It’s been in me for so long that I no longer hear it. When I do, it soothes me in that I need think of nothing save this gray, unending list and thus at last may fall asleep with it upon my lips: The plaiting of the rushes and the cutting of the stilts. A hollow beak that spits out darts, its making and its use.

Before I wade upstream towards the shallows, I look back at Salka and our children playing. Water beaded on her breast, she turns and holds me with her black-eyed gaze too long before she looks away and dips her face once more beneath the river’s skin. The young ones splash and circle; build an argument between themselves but then abandon it in favor of some better, louder disagreement.

This looking back whenever I set out and leave my family behind, as if to gather all my loved ones up into my eyes and hold them there, it has become a habit with me lately. Still it gnaws me, this concern that one day I might glance away and, when I look back, find them gone. It seems that I cannot be rid of it and so I stare until their shapes are lost against the rippling glare that dances on the water. Turning, I make away against the current, strong and boiling where it clefts against my thigh. I had a different wife once, and another family. We did not live here in the Drownings but some way off to the west, up in a great round hill camp high above a burning-ground. One morning I awoke and ventured out between the bubbling breakfast-pots to hunt and fish, and that was all of it. I cannot now recall if I had any kind word for my wife on setting out that day, only that I became ill-tempered when I found the broken draw-string of my boot unfixed, and thought ill of her laziness. I may have said some little thing, some words, I can’t remember. Knotting up the string as best I could for want of thread and needle, I tied up my boot and limped into the dawn and that was all of it.

I kissed my little girl farewell, but could not find my son to kiss. She had just eaten curds. Her breath was hot and sweet upon my cheek, and that was all of it.

As I walked on all hung about with nets and spears among the rousing huts, I saw my mother some way off, upon the settlement’s far side. I called to her, but she was old and did not hear me. That was all of it.

I stopped to talk with Jemmer Pickey’s wife, and while we spoke I had some thoughts of her without her skirts and skins, although I knew there would be nothing come of this. I said goodbye, then carried on my way.

Near by the main gate, in among the old, grassed over stones of Garnsmith’s Forge I saw our willage Hobman standing lost in thought, the yellow antlers drooping, tied about his lowered brow. All in a ring about his feet were many markings, sketched in meager soil there with his mistle-rod. He muttered to himself, twisting the gray snarls of his beard between stained fingertips, and seemed more ill at ease than I had ever seen him. Of a sudden he looked up and saw me as I passed. He made to speak, then seemed to think the better of it. I have often wondered what he meant to say.

I passed him by and went out from the camp, making my way down hill and past that lower peak where lie the burning grounds. I’d heard that there were walls there once, great rounds set one inside the other. These were long since worn away, but from the camp-hill’s upper slope the rings could yet be seen; a certain darkening of the grass best looked upon by afternoon. Off to the west, down where the riversiders had their settlement, thin ropes of smoke were strung between still sky and distant fires, and when I’d come too low upon the hill to hear the willage noises at my back, there was a silence, stretched across the world unto the further trees. I walked down into this, with looping bindweed strangles tearing round my feet as I descended. That was all of it. As I stilt through the water now, less deep here than a forearm’s length, the trees stoop in above me and the river is in shadow. With no sun to dazzle from the water’s face the depths beneath become more plain, so that the fish who move there may be seen. I stop, and am become as still as stones. My wooden legs are two trees rooted in the streambed, whereupon the water folds itself then folds itself again. Beneath its surface I regard my stilts that seem now crooked, bent with age, although I know that this is but some water-trick. I move my sodden cloak of rush aside, and lift my spear, and wait.

When I lived in the hill camp it took more than half a day to reach the Drownings. Horses will not ride there for the ground is treacherous and filled with bogs and pools whereby the midge-flies cloud about, a small and angry weather. Many men have died there. Minnows navigate between their teeth. I reached my favorite hunting-place at close of afternoon, the twilight raising up like dust before a herd of coming stars. First I collected sticks and sods to build my hide, where I would sleep, more like a swollen grave than like a hut. I labored next in failing light to gather rushes, that I might have work within my oil-lit hide to keep me busy after dark had settled on the fens.

The horse-hair wick, coiled like a worm in curdled fat, refused to burn until I’d wasted half a bag of tinder and come near to wearing smooth my newest flint. I sat cross-ankled in the shivering light and plaited rushes on into the gray approaches of the dawn. The gown I made was long and green, shaped like a mash-skin that’s turned right-side-down, sealed at the top save for a slit to see through and a hole wherein to fix the hollow beak. I slept for but a small while and was up before first light to cut young saplings for my stilts and find a piece of wood that I might scrape the caulk from out to make my blowing-pipe.

My work was finished as the sun completed its ascent through chilly morning air, only to slump at last exhausted and commence its fall. I took a rolled-up rag from out my sack and opened it to choose one of the iron slivers pinned in rows along the unrolled strip, a tuft of dirty ram’s-wool fastened at their dullest ends. Selecting one, I placed it in between my teeth, point outermost, and crawled head-first into my gown of reed, the bored-through wooden beak clasped tight inside my hand. I struggled for a moment to adjust the hood that I might see, then dragged the stilts inside the gown, to bind with strips of ox-hide to my legs.

The wooden beak was in my mouth, one end protruding through the helmet’s hole, the dart already nestled in its bore. Swelled up with spit, the woolen flight stopped up the hole. Its bitter strands stuck to my tongue and teased inside my mouth so that I had some difficulty in dislodging them without the blow-dart falling from its pipe.

At last, my mummery complete, I lifted up my short-spear and tried carefully to stand upon my fresh-cut legs, using a lonely tree trunk as support until I’d found my feet. With this assured, I delicately picked my way, a giant green bird, toward the current’s ragged edge whereby I dipped one wooden toe within, unmindful of the water’s chill.

With great slow steps that left the river’s surface undisturbed, I waded in among the witless fish and unsuspecting water-fowl, whence I commenced to hunt. Standing a-straddle of the shallows now a fat bass moves between my feet to nibble pale gray weed. My fingers tighten on the spear-shaft then relax as it thinks better of its meal. It whips its tail as for a face-slap and is gone.

Sometimes I dwell on how the fish and ducks regard all this. Unseen, I stalk among them and they think me one of them. They are too dull to understand that I am of a higher kind and that I mean them ill, and so they disappear, uncomprehending, one by one. They watch the great green bird stride there between them, yet forge no connection with their missing kin. They are made blind by that which they expect to see.

There may be beasts more subtle yet than we, strolling among us at their leisure, picking, choosing, bagging now a woman, now a man, and none shall ever know where they have gone, so sparse and scattered are the crimes; so few and far between, save when these subtle monsters feel the need to feast and glut themselves.

Another fish, this time a roach, moves nuzzling between my planted struts. This time I do not wait, but drive the spear down hard. I almost miss and pierce its side instead, lifting it thrashing on my shaft into the sunlight, beads of river-water falling all about it in a mortal dew. I hunted all that day and yet another day besides, curled in my hide by dark, and at the close of it were many fowl within my sack and many poles of fish, and when another morning came I set out for my home. The air was good and clear that day, as air that follows from a storm, and yet no storm had passed. The blue sky colored all the pools and puddles of the fen, and vast white clouds passed overhead, piled up into fantastic shapes for which I had not names. My bag was full. The sun was warm upon my back. I sang the only words I could remember of the Old Track Song, about the journey-boy and how he found his bride, and frightened herons off a pond the singing was that bad. It was the last time I was happy. Now I sit upon the bank and let my wooden legs trail in the current while I eat the fish. When first I came to live for good out in the Drownings, I would cook my food before I ate, but now it seems a nuisance. No one else here cooks their food. I split along the creature’s belly with my nail and feel an odd content at just how large a piece of skin I can peel off in one attempt. (Here, partly flayed, it startles me by flipping once, but then is still.)

About to pull my beak aside and eat, a movement on the south horizon draws my eyes. Red flags. Red, tiny flags that drift apart then draw together as they flap towards me from across the distant fields. I squint, then draw my legs from out the water so as best to stand. I leave my beak in place.

Not flags. Not flags, but capes, red capes upon the backs of riding men. A hand-full by my reckoning. No more.

I know them. Men of Roma, come from lands beyond the sea. Some of the young men in the willage where I lived before said that these Romans had a will to take the land from us, but all this is a puzzle far beyond my figuring, for land is not a thing that one can take, and nor is it a thing that can belong, and so I leave such quarrels to the younger men.

They are much closer now, and have dismounted, leading on the horses by their reins, picking their way between the mudholes and the bright laked silver of the pools. One of them bears a staff crowned with a strange device of gold: there is a snake, a fat man standing, then a mouth wide open with the tongue lolled out, and finally a fat man walking. Metal helmets. Skirts like women. Metal plates across their tits.

Their horses see me first, and shy. While trying to rein in their rearing steeds, the men whirl all about to seek the cause of this disturbance. All in green against the tufted river-bank, at first they cannot see me.

I’ve no quarrel with them. I call out hello, and now they turn and look at me. My voice is sore, unpracticed in the speech of men, and from their faces it is plain my greeting sounded terrible and was beyond their understanding. One among them starts to babble, high pitched, in their curious tongue. I take another step towards them, rearing high upon my wooden legs, and try again.

The horses scream and bolt. The men run after them. I watch their red cloaks flap away across the fens. The more I call for them to stop and have no fear, the faster do their horses flee, the faster do they follow in pursuit. What must I sound like, after all this time?

They’re gone, and so I sit back down there at the water’s edge to eat my fish. I think of how they’ll tell their friends they saw a bird much bigger than a man, all green, that stalked the marshes on its monstrous legs and uttered dreadful cries. Around a mouth-full of cold fish I start to laugh so that the grease spills out into my beard; onto my feathers made of rush.

After a while the laughter stops, because it sounds bad in this place alone. I eat the fish down to its skeleton. That day, when I walked home towards my hill camp, I was thinking of my wife, my first wife. It’s a strange thing, but her name was Salka too. I’d known her since we both were small and played at chase-and-kiss out in the Hobfields, which they say is haunted by a murdered boy. Once I told Salka that I’d seen him, standing on the mound there with his throat all cut, his hair all burned. She knew I’d made it up, and yet she made as if she thought it true, and clung to me and let me feel her gilly there inside her breeks.

The hill came into sight, with supper-fires that smoldered on its crest, so that my weary step grew quick to think of being home. I had not had the chance to tell my son goodbye before I left, and thought that I might play with him along the evening paths while Salka cooked the fattest of the fish for us, wrapping our hut about with its delicious stink.

I was halfway uphill towards the camp before I realized that there was no noise.

I throw the slick white fishbones from me, down into the river where they bob for but a moment then submerge. I fancy that I see them swim away beneath the water, and I entertain a river where naught save the skeletons of fishes glide and dart and comb the currents with their naked ribs. I stand and make to wade downstream, back to my family. I feel the sorrow gathering about me, and I want to be with them.

I walked into the willage with my poles across my shoulder and a sack of meat and feathers in my hand. The supper-fires were burning low and somewhere off between the huts I fancied that a dog was barking, though I now remember that the smell of dog was everywhere. It may have been the smell that made me think I heard the noise.

Just past the open gate the relic stones of Garnsmith’s Forge drew my attention. In their center, where the moss grew brightest green, was now an ugly scorch of black. It looked as though a monstrous red-hot cooking bowl had been set down, dropped in relief by sweating men with blistered hands.

No sound came from the beast-pens of the inner camp to drown my hesitating step which, although light, was deafening among the gaping huts. Halfway along the center street, there in the dust, I found a set of ochered antlers trailing broken strings. I did not dare to pick them up. I gazed at them a moment, then passed on.

A meal half-eaten. Corn querns, smooth and new, left stacked against a wall. The black flies on a haunch of lamb; their small, vile murmurings as loud as men. The curtain of a jakes not long since used hung open, dried leaves in a hand-full there untouched beside the reeking hole. From the untended, dwindling fires great gouts of smoke would roll across the trackways where I walked, so that these things were briefly glimpsed, then gone, as in a dream. The hole in Jemmer Pickey’s roof he’d sworn to mend since winter last. An old man’s sun-hat floating in a puddle. Washerwomen’s rocks, still cowled with long-dry clothing. Here a solitary footprint. There a pool of sick.

Outside our hut, my boy had failed to clear away a game that he had lately taken to, involving little men-in-kind I’d carved for him from pebbles. Set as for a hunt, he had them spread across the open door and ringed about some animal he’d fashioned out of sticks. I thought perhaps it was a wolf. Stepping across this small, abandoned slaughter, I decided that he must be scolded, though not hard, for leaving all his nonsense strewn so carelessly about.

The hut was dark. My little girl was sitting in the shadows on its furthest side. I spoke some words that I cannot recall to her and, stepping forward, saw that she was nothing but a pile of furs that for a moment in the dark had seemed to hold her shape, sat there with knees drawn up, her head tipped back the way she sometimes held it. Only fur. The hut was empty. For a moment all I did was stand there in the gloom; the silence. Nothing happened. I went back outside, stepping across my son’s abandoned game with care, so that he should not find it spoiled when he returned.

Across the silent willage to the west the sun was drowning in a purple cloud. I cupped my hands around my mouth and yelled hello. I heard it echo on the empty beast-pen’s curving wall and then, after a moment, called again. The yawning huts did not reply. Their quiet seemed uneasy, just as if there were some awful news they could not bring themselves to share with me. I called again, while dusk fell all about.

After a while, I sat down in the middle of the man-shaped stones set in a ring outside our door. I picked one up and looked at it. No bigger than my thumb, it bulged at top and bottom, narrow in the middle that it might suggest a neck. I’d scratched the likeness of a face there on the smaller, upper bulge. I’d meant to make him smile but, turning it to catch the failing light, could see that I’d been clumsy with my awl, so that it seemed as if he were instead forever shouting something with great urgency, forever beyond hearing.

As I touched the stone I took a fancy that it was still warm from my son’s hand and raised it to my nose that I might smell him on it. Reason left me then. I put the pebble in my mouth and I began to weep. Crane-legged, I step downstream now, careful not to let the current rush me on too fast. Above the sourness of the ram’s wool on my tongue it is as if I taste that pebble yet. I hurry on, that I might be beside my newest wife and young before I am quite overcome by memory. I sat there in the ring of pebbles all that night. Sometimes I wept and moaned. Sometimes I sang a little of the journey-boy. With dawn, I stood and walked back through the empty willage. All the fires were down to cold gray dust, and for a while I played a sorry game where I imagined everyone was but asleep, about to rouse and stretch and stagger cursing, joking, out into the waking day, but no one came.

I went back through the gates and next walked once and once again about the outside of the camp. There were no footprints there, nor any flattened weeds as where a tribe of many families had fled downhill, or where as many foemen had crept up. Save for the ash-scarred turf in Garnsmith’s Forge, a burn no more than half a man in width, there was no sign of fire, and neither was there any mark of wolves or, saving for the vomit in the street, of sudden plague.

I stumbled to the bottom of the hill and circled all about its base, then walked back up. Making my way back through the silence to my family’s hut, I crawled inside to sit. I saw, with rising anger, that my wife had left her castoff clothing thrown about the floor, a lazy habit on behalf of which I’d often scolded her. Cursing her slothful ways beneath my breath, I crawled about upon my knees and gathered up the scattered rags.

Her breeches smelled of her. I raised them to my lips and kissed them; sank my face deep into them where it was stale, and rank, and good. My will grew stiff beneath my breeks, so that I reached to pull it free then rubbed my hand upon it, wildly back and forth. The milk splashed through my fingers, fell in beads upon a mat of grass our daughter made. No sooner had the spasm passed than I began to weep once more, my seed grown thick and cold upon my palm.

After the tears, there came a sudden and enormous dread, so that I could not breathe. I ran out from the hut. I ran out from the willage and away downhill, my limp will flapping as I ran and slipped and stumbled. When I reached the bottom I dare not look back, for there was something terrible about those mute and clustered rooftops, that dead skyline. I ran on, sobbing and gasping, on across the fields, a groundfog blur of seeding dandelions about my feet, and did not stop until I reached the riversider’s settlement a little after noon.

I raved at them, and asked if a great many people had passed by this way of late; if there had been some dire catastrophe; if there had been an omen in the stars. They stared, and called their children back inside ‘til I’d passed on. I shouted at the closing doors and told them that the people from the hill camp were all gone, but if they understood me, they did not believe. When I would not be quiet, a big man with a hare-lip grabbed me by my arm and dragged me to the outskirts, where he cast me in the dirt and said that I should go and not return, his gruff words smearing on his palate’s cleft.

I had nowhere to go, save for the Drownings.

I reclaimed my spot beside the river just as darkness fell. My hide was still intact where I had left it, with the robe of rushes rolled inside. Upon my belly, I crawled in and pulled my bird-cloak up to cover me, and there I slept, all of that night and all the next day as one dead beneath the swollen, pregnant grave that was my hide. There never was a time when I was more alone. I’ve lived here in the Drownings ever since, and in that time have found another family, another Salka, and I am alone no more, nor maddened with bewilderment and grief.

I see them now, ahead of me, sat resting on the bank down where the river curves; lengthen my step that I may be upon them sooner, striding through the eddies, stalking down the shallow and cascading steps where slippery mosses drift like banners in the flow. I have not taken off my stilts for many moons, and there are sores upon my water-wrinkled legs.

Salka lifts up her head to watch as I approach, alerted by my splashing. Soon, the little ones are looking also as I rush towards them, teetering, precarious and eager for their consolation, falling forward more than running now. I lift my arms as if in an embrace that’s big enough to span the distance yet between us, feathered rushes hanging in loose, flapping folds below, like great green wings. I call out to them through the warped flute of my beak. I tell them that I love them. Tell them that I’ll never go away.

My voice is cracked and hideous. It startles them. As one, amid a mighty beating, they rise up into the darkening sky and, in a moment, they are gone from sight.

From : TheAnarchistLibrary.org

(1953 - )

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. (From: Wikipedia.org.)

(1960 - )

Neil Richard MacKinnon Gaiman (/ˈɡeɪmən/; born Neil Richard Gaiman, 10 November 1960) is an English author of short fiction, novels, comic books, graphic novels, nonfiction, audio theater, and films. His works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The Graveyard Book . In 2013, The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards. (From: Wikipedia.org.)

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