 | The Social Significance of the Modern Drama — Part 9, Chapter 1 : George Bernard ShawBy Emma Goldman (1914) |
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| The Social Significance of the Modern Drama — Part 9, Chapter 1 : George Bernard ShawBy Emma Goldman (1914) |
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Russian-American Mother of Anarcho-Communism
: She is an Anarchist, pure and simple. She represents the idea of Anarchism as framed by Josiah Warren, Proudhon, Bakunin, Kropotkin, Tolstoy. Yet she also understands the psychologic causes which induce a Caserio, a Vaillant, a Bresci, a Berkman, or a Czolgosz to commit deeds of violence. (From: Hippolyte Havel Bio.)
• "The cause lies not in prostitution, but in society itself; in the system of inequality of private property and in the State and Church. In the system of legalized theft, murder and violation of the innocent women and helpless children." (From: "Anarchy and the Sex Question," by Emma Goldman, F....)
• "Man's greatest battles have been waged against man-made obstacles and artificial handicaps imposed upon him to paralyze his growth and development. Human thought has always been falsified by tradition and custom, and perverted false education in the interests of those who held power and enjoyed privileges." (From: "The Place of the Individual in Society," by Emma ....)
• "It is the private dominion over things that condemns millions of people to be mere nonentities, living corpses without originality or power of initiative, human machines of flesh and blood, who pile up mountains of wealth for others and pay for it with a gray, dull and wretched existence for themselves." (From: "What I Believe," by Emma Goldman, New York World,....)
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Part 9, Chapter 1
"I am not an ordinary playwright in general practice. I am a specialist in immoral and heretical plays. My reputation has been gained by my persistent struggle to force the public to reconsider its morals. In particular, I regard much current morality as to economic and sexual relations as disastrously wrong; and I regard certain doctrines of the Christian religion as under stood in England to-day with abhorrence. I write plays with the deliberate object of converting the nation to my opinions in these matters."
This confession of faith should leave no doubt as to the place of George Bernard Shaw in modern dramatic art. Yet, strange to say, he is among the most doubted of his time. That is partly due to the fact that humor generally serves merely to amuse, touching only the lighter side of life. But there is a kind of humor that fills laughter with tears, a humor that eats into the soul like acid, leaving marks often deeper than those made by the tragic form.
There is another reason why Shaw's sincerity is regarded lightly: it is to be found in the difference of his scope as propagandist and as artist. As the propagandist Shaw is limited, dogmatic, and set. Indeed, the most zealous Puritan could not be more antagonistic to social theories differing from his own. But the artist, if he is sincere at all, must go to life as the source of his inspiration, and life is beyond dogmas, beyond the House of Commons, beyond even the "eternal and irrevocable law" of the materialistic conception of history. If, then, the Socialist propagandist Shaw is often lost in the artist Shaw, it is not because he lacks sincerity, but because life will not be curtailed.
It may be contended that Shaw is much more the propagandist than the artist because he paints in loud colors. But that is rather because of the indolence of the human mind, especially of the Anglo-Saxon mind, which has settled down snugly to the self-satisfied notion of its purity, justice, and charity, so that naught but the strongest current of light will make it wince. In "Mrs. Warren's Profession" and "Major Barbara," George Bernard Shaw has accomplished even more. He has pulled off the mask of purity and Christian kindness that we may see their hidden viciousness at work.
Source: Emma Goldman, The Social Significance of the
Modern Drama
(Boston: Richard G. Badger, 1914; The Gorham Press, Boston, U.S.A.)
From : Anarchy Archives
Russian-American Mother of Anarcho-Communism
: She is an Anarchist, pure and simple. She represents the idea of Anarchism as framed by Josiah Warren, Proudhon, Bakunin, Kropotkin, Tolstoy. Yet she also understands the psychologic causes which induce a Caserio, a Vaillant, a Bresci, a Berkman, or a Czolgosz to commit deeds of violence. (From: Hippolyte Havel Bio.)
• "Man's greatest battles have been waged against man-made obstacles and artificial handicaps imposed upon him to paralyze his growth and development. Human thought has always been falsified by tradition and custom, and perverted false education in the interests of those who held power and enjoyed privileges." (From: "The Place of the Individual in Society," by Emma ....)
• "The cause lies not in prostitution, but in society itself; in the system of inequality of private property and in the State and Church. In the system of legalized theft, murder and violation of the innocent women and helpless children." (From: "Anarchy and the Sex Question," by Emma Goldman, F....)
• "Patriotism is inexorable and, like all insatiable monsters, demands all or nothing. It does not admit that a soldier is also a human being, who has a right to his own feelings and opinions, his own inclinations and ideas." (From: Patriotism, A Menace to Liberty," by Emma Goldman,....)
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Part 9, Chapter 1
