In Praise of Idleness This text was first provided by the Massachusetts Green Party, but I found out that they have moved or deleted their page, so now I'm keeping a "mirror" of their text. . In this essay, Lord Bertrand Russell proposes a cut in the definition of full time to four hours per day. As this article was written in 1932, he has not the benefit of knowing that, as we added more wage-earners per family (women entered the work force) and families shrunk (fewer kids), and the means of production become more efficient (better machines) the number of hours each wage-earner must work to support the family has stayed constant. These facts seem to uphold Russell's point. Like most of my generatio... (From : http://www.geocities.com/Athens/Oracle/2528/br_idl....)
The Great Strike So the coal strike has ended in a victory for the strikers. So will that bigger strike to come, the strike that will be even more general than this, the strike that will bear upon its banners," The mines for the miners." Such pluck and calm resolution and broad social feeling as these strikers have shown only needs a wider aim to become the finest sort of revolutionary energy. Just fancy, you comfortable people who have never gone short of a meal, what it means to be so convinced of the righteousness of your cause as to risk a strike, when you know you can expect no help from your Union for three weeks and then less than seven shillings all told; and yet to be so public-spirited as to be willing to give up your own chance o... (From : AnarchyArchives.)
A Critical Essay on ShakespeareBut it is not enough that Shakespeare's characters are placed in tragic positions which are impossible, do not flow from the course of events, are inappropriate to time and space—these personages, besides this, act in a way which is out of keeping with their definite character, and is quite arbitrary. It is generally asserted that in Shakespeare's dramas the characters are specially well expressed, that, notwithstanding their vividness, they are many-sided, like those of living people; that, while exhibiting the characteristics of a given individual, they at the same time wear the features of man in general; it is usual to say that the delineation of character in Shakespeare is the height of perfection. This is asserted with such confidence and repeated by all as indisputable truth; but however much I endeavored to find confirmation of this in Shakespeare's dramas, I always found the opposite. In reading any of Shakespeare's dramas whatever, I was, from the very firs...