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AN ACCOUNT OF THE SEMINARY That will be opened On Monday the Fourth Day of AUGUST, At EPSOM in SURREY, For the INSTRUCTION of TWELVE PUPILS IN The GREEK, LATIN, FRENCH, and ENGLISH Languages. LONDON: Printed for T.CADELL, in the Strand. M.DCC.LXXXIII. Of whom information respecting other particulars may be received. AN ACCOUNT OF THE SEMINARY, &c. THE two principal objects of human power are government and education. They have accordingly engrossed a very large share in the disquisitions of the speculative in all ages. The subject of the former indeed is man, already endowed with his greatest force of body, and arrived at the exercise of his intellectual powers: the subject of the latter is man, as yet shut up in the feebleness of child... (From : Anarchy Archives.)


ANARCHISM: WHAT IT REALLY STANDS FOR ANARCHY. Ever reviled, accursed, ne'er understood, Thou art the grisly terror of our age. "Wreck of all order," cry the multitude, "Art thou, and war and murder's endless rage." O, let them cry. To them that ne'er have striven The truth that lies behind a word to find, To them the word's right meaning was not given. They shall continue blind among the blind. But thou, O word, so clear, so strong, so pure, Thou sayest all which I for goal have taken. I give thee to the future! Thine secure When each at least unto himself shall waken. Comes it in sunshine? In the tempest's thrill? I cannot tell--but it the earth shall see! I am an Anarchist! Wherefore I will Not rule, and also ruled I will not be! &... (From : Anarchy Archives.)

Note For "Anarchist Morality" This study of the origin and function of what we call "morality" was written for pamphlet publication as a result of an amusing situation. An anarchist who ran a store in England found that his comrades in the movement regarded it as perfectly right to take his goods without paying for them. "To each according to his need" seemed to them to justify letting those who were best able foot the bills. Kropotkin was appealed to, with the result that he not only condemned such doctrine, but was moved to write the comrades this sermon. Its conception of morality is based on the ideas set forth in Mutual Aid and later developed in his Ethics. Here they are given special application to "right and wrong" in the business of social living. The job is done with fine feeling and with acute shafts at the shams of current morality. Kropotkin sees the source of all so-called moral ideas in primitive superstitions. The re...


The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labor barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow... (From : Anarchy Archives.)


"Peter Kropotkin...was recognized by friend and foe as one of the greatest minds...of the nineteenth century...The lucidity and brilliance of his mind combined with his warmheartedness into the harmonious whole of a fascinating and gracious personality. " -Emma Goldman REVOLT! Addressed to young men and women preparing to enter the professions, An Appeal to the Young was first published in 1880 in Kropotkin's paper, La Revolte, and was soon thereafter issued as a pamphlet. An American edition was brought out by Charles H. Kerr in 1899, in the wake of the great Anarchist's first U.S. speaking tour; his Memoirs of a Revolutionist was also published (by Houghton-Mifflin) that year. A new edition in Kerr's "Pocket Library of Socialism" appeared... (From : Anarchy Archives.)


Foreword On May 26, 1958 at midnight, Chiu Tsai-kang, a steel worker of the Shanghai No. 3 Steel Works, was burned by molten steel. The affected area extended over 89 percent of his body, 20 percent being third degree burns with the muscles and bones involved. According to Western medical authorities, a patient with such severe burns would be likely to die. But due to the affectionate' concern of the Communist Party, to the great efforts made by the medical staff and to the widespread support of society at large, Chiu Tsai-kang is still alive. After being treated for more than five months his wounds are now completely healed and covered by grafted skin. On November 23 he was transferred to the Sino-Soviet Friendship Hospital in Peking for f... (From : Anarchy Archives.)


Translated by C.J. HOGARTH CONTENTS I. A SLOW JOURNEY II. THE THUNDERSTORM III. A NEW POINT OF VIEW IV. IN MOSCOW V. MY ELDER BROTHER VI. MASHA VII. SMALL SHOT VIII. KARL IVANITCH’S HISTORY IX. CONTINUATION OF KARL’S NARRATIVE X. CONCLUSION OF KARL’S NARRATIVE XI. ONE MARK ONLY XII. THE KEY XIII. THE TRAITRESS XIV. THE RETRIBUTION XV... (From : Gutenberg.org.)


In olden times, men of science, and especially those who have done most to forward the growth of natural philosophy, did not despise manual work and handicraft. Galileo made his telescopes with his own hands. Newton learned in his boyhood the art of managing tools; he exercised his young mind in contriving most ingenious machines, and when he began his researches in optics he was able himself to grind the lenses for his instruments and himself to make the well known telescope which, for its time, was a fine piece of workmanship. Leibnitz was fond of inventing machines: windmills and carriages to be moved without horses preoccupied his mind as much as mathematical and philosophical speculations. Linnaeus became a botanist while helping his f... (From : Anarchy Archives.)


Translated by C.J. Hogarth CONTENTS I THE TUTOR, KARL IVANITCH II MAMA III PAPA IV LESSONS V THE IDIOT VI PREPARATIONS FOR THE CHASE VII THE HUNT VIII WE PLAY GAMES IX A FIRST ESSAY IN LOVE X THE SORT OF MAN MY FATHER WAS XI IN THE DRAWING-ROOM AND THE STUDY XII GRISHA XIII NATALIA SAVISHNA XIV THE PARTING XV &n... (From : Gutenberg.org.)

A Tale
p>--NEQUE SEMPER ARCUM TENDIT APOLLO. HOR. LONDON: PRINTED FOR T. HOOKHAM, AT HIS CIRCULATING LIBRARY, NEW BOND-STREET, CORNER OF BRUTON-STREET. M,DCC,LXXXIV. CONTENTS PART the FIRST. CHAPTER I. Containing introductory Matter. CHAPTER II. A Ball CHAPTER III. A Ghost. CHAPTER IV. A love Scene. CHAPTER V. A Man of Humor. CHAPTER VI. Containing some Specimens of Heroism. CHAPTER VII. Containing that with which the Reader will be acquainted when he has read it. CHAPTER VIII. Two Persons of Fashion. CHAPTER IX. A tragical Resolution. CONTENTS. PART the SECOND. CHAPTER I. In which th... (From : Gutenberg.org.)


On everything that lives, if one looks searchingly, is limned the shadow line of an idea --- an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies-living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and sw... (From : Anarchy Archives.)


The Sole Factors and Exact Ratios in its Acquirement and Apportionment. In proceeding toward any given point, there is always one line which is shortest—THE STRAIGHT: so, in the conduct of human affairs, there is always one course which is best—THE JUST. BY J. K. 1 N C A L L S. 12mo, 320pp., large type, good paper, silk cloth, $1. CONTENTs.-Economic Schools—A Brief Review of their Qrigin and Growth; Rise and Growth of Capitalism; Unearned Increase—Profit; Interest, Rent; Conservation of Wealth; Tools and Improved Machinery; The Nature of Wages; Pri: Yate and Social Wealth ; Land Ownership; Private Property in Land; Capital and the Productive Factors; Partnership and Cooperation; Law of Contracts; Money and Credit; Of... (From : Google Books.)

TO MY SWEETHEART MARIE DÄHNHARDT...

BOOK II PRINCIPALS OF SOCIETY CHAPTER I INTRODUCTION In the preceding book we have cleared the foundations for the remaining branches of inquiry, and shown what are the prospects it is reasonable to entertain as to future political improvement. The effects which are produced by positive institutions have there been delineated, as well as the extent of the powers of man, considered in his social capacity. It is time that we proceed to those disquisitions which are more immediately the object of the present work. Political inquiry may be distributed under two heads: first, what are the regulations which will conduce to the well being of man in society; and, secondly, what is the authority which is competent to prescribe regulations. The regulations to which the conduct of men living in society ought to be con...

CHAP. II. HISTORY OF POLITICAL SOCIETY War.--Frequency of war--among the ancients--among the moderns-- the French--the English--Causes of war.--Penal laws.--Despotism. --Deduction from the whole. THE extent of the influence of political systems will be forcibly illustrated by a concise recollection of the records of political society. It is an old observation that the history of mankind is little else than a record of crimes. Society comes recommended to us by its tendency to supply our wants and promote our well being. If we consider the human species, as they were found previously to the existence of political society, it is difficult not to be impressed with emotions of melancholy. But, though the chief purpose of society is to defend us from want and inconvenience, it effects this purpose in a very imperfect degree. We are still liable to casualties, disease, infirmity and death. Famine dest...

TRANSLATORS' PREFACE Kropotkin's "Ethics: Origin and Development," is, in a sense, a continuation of his well-known work, "Mutual Aid as a Factor of Evolution." The basic ideas of the two books are closely connected, almost inseparable, in fact: -- the origin and progress of human relations in society. Only, in the "Ethics" Kropotkin approaches his theme through a study of the ideology of these relations. The Russian writer removes ethics from the sphere of the speculative and metaphysical, and brings human conduct and ethical teaching back to its natural environment: the ethical practices of men in their everyday concerns -- from the time of primitive societies to our modern highly organized States. Thus conceived, ethics becomes a subject of universal interest; under the kindly eyes and able pen of the great Russian scholar, a subject of special and academic study becomes closely linked to whatever is significant in the life and...

Or - Humanism And Realism
The False Principle of Our Education Or - Humanism And Realism By Max Stirner Because our time is struggling toward the word with which it may express its spirit, many names come to the fore and all make claim to being the right name. On all sides our present time reveals the most chaotic partisan tumult and the eagles of the moment gather around the decaying legacy of the past. There is everywhere a great abundance of political, social, ecclesiastical, scientific, artistic, moral and other corpses, and until they are all consumed, the air will not be clean and the breath of living beings will be oppressed. Without our assistance, time will not bring the right word to light; we must all work together on it. If, however, so much depends upon... (From : Anarchy Archives.)

FLEETWOOD; or, THE NEW MAN OF FEELING. by WILLIAM GODWIN. CHAPTER III AT the usual age I entered myself of the university of Oxford. I felt no strong propensity to this change; but I submitted to it, as to a thing in the regular order of proceeding, and to which it would be useless to object. I was so much accustomed to self-conversation as to have little inclination to mix in the world; and was to such a degree satisfied with my abilities, and progress, and capacity of directing my own studies and conduct, as not to look with any eager craving for the advice and assistance of professors and doctors. In setting out for the university, I was to part with my father and my preceptor. The first of these was a bitter pang to me: I had scarcely, from the earliest of my remembrance, ever been a...

An hour after the boys were gone Eugene Mihailovich, the owner of the shop, came home, and began to count his receipts. “Oh, you clumsy fool! Idiot that you are!” he shouted, addressing his wife, after having seen the coupon and noticed the forgery. “But I have often seen you, Eugene, accepting coupons in payment, and precisely twelve ruble ones,” retorted his wife, very humiliated, grieved, and all but bursting into tears. “I really don’t know how they contrived to cheat me,” she went on. “They were pupils of the school, in uniform. One of them was quite a handsome boy, and looked so comme il faut.” “A comme il faut fool, that is what you are!” The husband went on scolding her, while he counted the cash. . . . When I accept coupons, I see what is written on them. And you probably looked only at the boys’ pretty faces. “You had better behave yourself in your old age.”...


The text is from my copy of Emma Goldman's Anarchism and Other Essays. Second Revised Edition. New York & London: Mother Earth Publishing Association, 1911. pp. 151-172. FRANCISCO FERRER AND THE MODERN SCHOOL EXPERIENCE has come to be considered the best school of life. The man or woman who does not learn some vital lesson in that school is looked upon as a dunce indeed. Yet strange to say, that though organized institutions continue perpetuating errors, though they learn nothing from experience, we acquiesce, as a matter of course. There lived and worked in Barcelona a man by the name of Francisco Ferrer. A teacher of children he was, known and loved by his people. Outside of Spain only the cultured few knew of Francisco Ferrer's work.... (From : Anarchy Archives.)


A Free Man's Worship by Bertrand Russell A brief introduction: "A Free Man's Worship" (first published as "The Free Man's Worship" in Dec. 1903) is perhaps Bertrand Russell's best known and most reprinted essay. Its mood and language have often been explained, even by Russell himself, as reflecting a particular time in his life; "it depend(s)," he wrote in 1929, "upon a metaphysic which is more platonic than that which I now believe in." Yet the essay sounds many characteristic Russellian themes and preoccupations and deserves consideration--and further serious study--as an historical landmark of early-twentieth-century European thought. For a scholarly edition with some documentation, see Volume 12 of The Collected Papers of Bertrand Russe... (From : Drew.edu.)

A Comedy in Four ActsThe entrance hall of a wealthy house in Moscow. There are three doors: the front door, the door of Leoníd Fyódoritch's study, and the door of Vasíly Leoníditch's room. A staircase leads up to the other rooms; behind it is another door leading to the servants' quarters. Scene 1. GREGORY [looks at himself in the glass and arranges his hair, &c.] I am sorry about those mustaches of mine! “Mustaches are not becoming to a footman,” she says! And why? Why, so that any one might see you're a footman,—else my looks might put her darling son to shame. He's a likely one! There's not much fear of his coming anywhere near me, mustaches or no mustaches! [Smiling into the glass] And what a lot of 'em swarm round me. And yet I don't care for any of them as much as for that Tánya. And she only a lady's-maid! Ah well, she's nicer than any young lady. [Smiles] She is a duck! [Liste...


God and the State by Michael Bakunin WITH A PREFACE BY CARLO CAFIERO AND ELISÉE RECLUS First American Edition Price 50 Cents MOTHER EARTH PUBLISHING ASSOCIATION 10 East 125th Street New York City Preface to the First French Edition One of us is soon to tell in all its details the story of the life of Michael Bakunin, but its general features are already sufficiently familiar. Friends and enemies know that this man was great in thought, will, persistent energy; they know also with what lofty contempt he looked down upon wealth, rank, glory, all the wretched ambitions which most human beings are base enough to entertain. A Russian gentleman related by marriage to the highest nobility of the empire, he was one of the first to enter that... (From : Anarchy Archives (The text is from Michael Bakunin....)

The Two Camps
You taunt us with disbelieving in God, We charge you with believing in him. We do not condemn you for this. We do not even indict you. We pity you. For the time of illusions is past. We cannot be deceived any longer. Whom do we find under God's banner ! Emperors, kings, the official and the officious world; our lords and our nobles; all the privileged persons of Europe whose names are recorded in the Almana de Gotha; the guinea, pigs of the industrial, commercial and banking world; the patented professors of our universities; the civil service servants; the low and high police officers; the gendarmes; the jailers; the headsmen or hangmen, not forgetting the priests, who are now the black police enslaving our souls to the State; the glorious... (From : Anarchy Archives.)


This work appears in Anarchy Archives courtesy of International Institute for Social History. Reclus, Elisée. The Ideal and Youth. Liberty Press, London, 1895. The Ideal and Youth. By ELISÉE RECLUS. If the word "Ideal" has really any meaning, it signifies far more than a vague yearning for better things, wearisome search for happiness, or a fitful and sad longing for an environment less hateful than the society of to-day; ah yes, we must give to the term an exact value, we must settle resolutely and intelligently what is the ostensible end of our ceaseless aspirations. Let us investigate then that Ideal. For some it would be no more than a return to the ages of the past, to the childhood of humanity; it would consist in the ne... (From : Anarchy Archives.)

Living My Life by Emma Goldman Volume One New York: Alfred A Knopf Inc.,1931. Chapter 14 Outdoor meetings in America are rare, their atmosphere always surcharged with impending clashes between the audience and the police. Not so in England. Here the right to assemble constantly in the open is an institution. It has become a British habit, like bacon for breakfast. The most opposing ideas and creeds find expression in the parks and squares of English cities. There is nothing to cause undue excitement and there is no display of armed force. The lone bobby on the outskirts of the crowd is there as a matter of form; it is not his duty to disperse meetings or club the people. The social center of the masses is the out-of-door meeting in the park. On Sundays they flock there as they do to music-halls on weekdays. They cost nothing and they are much more entertaining. Crowds, often numbering thousands,...


IF I WERE to give a summary of the tendency of our times, I would say, Quantity. The multitude, the mass spirit, dominates everywhere, destroying quality. Our entire life--production, politics, and education--rests on quantity, on numbers. The worker who once took pride in the thoroughness and quality of his work, has been replaced by brainless, incompetent automatons, who turn out enormous quantities of things, valueless to themselves, and generally injurious to the rest of mankind. Thus quantity, instead of adding to life's comforts and peace, has merely increased man's burden. In politics, naught but quantity counts. In proportion to its increase, however, principles, ideals, justice, and uprightness are completely swamped by the array o... (From : Anarchy Archives.)

Chapter IV MOSCOW: FIRST IMPRESSIONS COMING from Petrograd to Moscow is like being suddenly transferred from a desert to active life, so great is the contrast. On reaching the large open square in front of the main Moscow station I was amazed at the sight of busy crowds, cabbies, and porters. The same picture presented itself all the way from the station to the Kremlin. The streets were alive with men, women, and children. Almost everybody carried a bundle, or dragged a loaded sleigh. There was life, motion, and movement, quite different from the stillness that oppressed me in Petrograd. I noticed considerable display of the military in the city, and scores of men dressed in leather suits with guns in their belts. "Tcheka men, our Extraordinary Commission," explained Radek. I had heard of the Tcheka before: Petrograd talked of it with dread and hatred. However, the soldiers and Tchekists were never much in evidence in the city on t...


Naked Warriors Herbert Read, London: Art & Letters, 1919. PREFACE I would like to speak for a generation to following effect: We, who in manhood's dawn have been compelled to care not a damn for life or death, now care less still for the convention of glory and the intellectual apologies for what can never be to us other than a riot of ghastliness and horror, of inhumanity and negation. May we, therefore, for the sake of life itself, be resolved to live with a cleaner and more direct realization of natural values. May we be unafraid of our frank emotions, and may we maintain a callous indifference to falsely-artistic prettifying of life. Then, as the reflex of such beauty where hitherto it has had no absolute existence. From sickness of... (From : Anarchy Archives.)

In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...

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