A Tale of 1852All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work—but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light—illegal at that hour—is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to t...
Translated from the French by Robert Helms "L'Oiseau Sacri" first appeared in the literary supplement of the Paris anarchist paper La Rivolte #3 (Sept. 27, 1890), reprinted from L'Echo de Paris. A few leagues from my cottage, in one of the most fertile areas in France, there lies a certain immense property. For only the past ten years the place has belonged to a well-known banker, but it isn't used for hunting parties. The chateau was partly demolished during the first revolution. Nothing remains of it but an uncrowned brick tower and some charred walls that invade the weeds, which grow into trees, and the moss. The banker considered rebuilding it according to its original design, but then abandoned the idea because of the expense involved.... (From : Mid-Atlantic Infoshop.)