Browsing By Tag "dramatic art"
A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)
MY FURTHER DISILLUSIONMENT IN RUSSIA By Emma Goldman, Garden City, NY: Doubleday, Page & Company; 1924 CHAPTER III BACK IN PETROGRAD The Expedition was to proceed to Petrograd the next day, but Louise begged me to remain for the funeral. Sunday, October 23rd, several friends rode with her to the Trade Union House where Reed's body lay in state. I accompanied Louise when the procession started for the Red Square. There were speeches-much cold stereotyped declamation about the value of Jack Reed to the Revolutionand to the Communist Party. It all sounded mechanical, far removed from the spirit of the dead man in the fresh grave. One speaker only dwelt on the real Jack Reed-Alexandra Kollontay. She had caught the artist's soul, infinitely greater in its depth and beauty than any dogma. She used the occasion to admonish her comrades."We call ourselves Communists," she said, "but are we really that? Do we not rather draw...
THE ENGLISH DRAMA: STANLEY HOUGHTON HINDLE WAKES In Stanley Houghton, who died last year, the drama lost a talented and brave artist. Brave, because he had the courage to touch one of the most sensitive spots of Puritanism--woman's virtue. Whatever else one may criticize or attack, the sacredness of virtue must remain untouched. It is the last fetish which even so-called liberal-minded people refuse to destroy. To be sure, the attitude towards this holy of holies has of late years undergone a considerable change. It is beginning to be felt in ever-growing circles that love is its own justification, requiring no sanction of either religion or law. The revolutionary idea, however, that woman may, even as man, follow the urge of her nature, has never before been so sincerely and radically expressed. The message of "Hindle Wakes" is therefore of inestimable value, inasmuch as it dispels the fog of the silly sentimentalism and disgusting bombast that...
A Critical Essay on ShakespeareThe drama of "Lear" begins with a scene giving the conversation between two courtiers, Kent and Gloucester. Kent, pointing to a young man present, asks Gloucester whether that is not his son. Gloucester says that he has often blushed to acknowledge the young man as his son, but has now ceased doing so. Kent says he "can not conceive him." Then Gloucester in the presence of this son of his says: "The fellow's mother could, and grew round-wombed, and had a son for her cradle ere she had a husband for her bed." "I have another, a legitimate son," continues Gloucester, "but although this one came into the world before he was sent for, his mother was fair and there was good sport at his making, and therefore I acknowledge this one also." Such is the introduction. Not to mention the coarseness of these words of Gloucester, they are, farther, out of place in the mouth of a person intended to represent a noble character. One can not agree with the opinion of some critics that thes...