Browsing Untitled By Tag : dramatic art

Browsing By Tag "dramatic art"

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A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)

MY FURTHER DISILLUSIONMENT IN RUSSIA By Emma Goldman, Garden City, NY: Doubleday, Page & Company; 1924 CHAPTER IV ARCHANGEL AND RETURN On November 28th the Expedition again got under way, this time with three members only: Alexander Berkman, the Secretary, and myself. We traveled by way of Moscow to Archangel, with stops in Vologda and Yaroslavl. Vologdahad been the seat of various foreign embassies, unofficially engaged in aiding the enemies of the Revolution; We expected to find historic material there, but we were informed that most of it had been destroyed or otherwise wasted. The Soviet institutions were uninteresting: it was a plodding, sleepy provincial town. In Yaroslavl, where the so- called Savinkov uprising had taken place two years previously, no significant data were found. We continued to Archangel. The stories we had heard of the frozen North made us rather apprehensive. But, much to our relief, we found that city...

THE GERMAN DRAMA: HERMANN SUDERMANN THE FIRES OF ST. JOHN In "The Fires of St. John," Sudermann does not go as far as in " Magda." Nevertheless the play deals with important truths. Life does not always draw the same conclusions; life is not always logical, not always consistent. The function of the artist is to portray life-only thus can he be true both to art and to life. In this drama we witness the bondage of gratitude,-one of the most enslaving and paralyzing factors. Mr. Brauer, a landed proprietor, has a child, Gertrude, a beautiful girl, who has always lived the sheltered life of a hothouse plant. The Brauers also have an adopted daughter, Marie, whom they had picked up on the road, while traveling on a stormy night. They called her "the calamity child," because a great misfortune had befallen them shortly before. Mr. Brauerís younger brother, confronted with heavy losses, had shot himself, leaving behind his son George and a heavily mort...

A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...

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