Browsing Untitled By Tag : dramatic art

Browsing By Tag "dramatic art"

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A Powerful Disseminator Of Radical Thought
So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values. An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama--the strongest and most far-reaching interprete... (From : Anarchy Archives.)

MY FURTHER DISILLUSIONMENT IN RUSSIA By Emma Goldman, Garden City, NY: Doubleday, Page & Company; 1924 CHAPTER II RETURNING TO MOSCOW In a country where speech and press are so completely suppressed as in Russia it is not surprising that the human mind should feed on fancy and out of it weave the most incredible stories. Already, during my first months in Petrograd, I was amazed at the wild rumors that circulated in the city and were believed even by intelligent people. The Soviet press was inaccessible to the population at large and there was no other news medium. Every morning Bolshevik bulletins and papers were pasted on the street corners, but in the bitter cold few people cared to pause to read them. Besides, there was little faith in the Communist press. Petrograd was therefore completely cut off, not only from the Western world but even from the rest of Russia. An old revolutionist once said to me: "We not onl...

THE GERMAN DRAMA: GERHART HAUPTMANN THE SUNKEN BELL The great versatility of Gerhart Hauptmann is perhaps nowhere so apparent as in " The Sunken Bell," the poetic fairy tale of the tragedy of Man, a tragedy as rich in symbolism as it is realistically true-a tragedy as old as mankind, as elemental as man's ceaseless struggle to cut loose from the rock of ages. Heinrich, the master bell founder, is an idealist consumed by the fire of a great purpose. He has already set a hundred bells ringing in a hundred different towns, all singing his praises. But his restless spirit is not appeased. Ever it soars to loftier heights, always yearning to reach the sun. Now once more he has tried his powers, and the new bell, the great Master Bell, is raised aloft, - only to sink into the mere, carrying its maker with it. His old ideals are broken, and Heinrich is lost in the wilderness of life. Weak and faint with long groping in th...

A Critical Essay on ShakespeareMr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this universal adulation, and, presuming that many have experienced and are experiencing the same, I think that it may not be unprofitable to express definitely and frankly this view of mine, opposed to that of the majority, and the more so as the conclusions to which I came, when examining the causes of my disagreement with the universally established opinion, are, it seems to me, not without interest and significance. My disagreement with the established opinion about Shakespeare is not the result of an accidental frame of mind, nor o...

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