Albert Camus

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About Albert Camus

Albert Camus (/kæˈmuː/ kam-OO, US also /kəˈmuː/ kə-MOO, French: [albɛʁ kamy] (About this soundlisten); 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist. He won the Nobel Prize in Literature at the age of 44 in 1957, the second-youngest recipient in history. His works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel.

Camus was born in Algeria (a French colony at the time) to French Pieds Noirs parents. His citizenship was French. He spent his childhood in a poor neighborhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at Combat, an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed the Soviet Union because of its totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organizations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating for a multicultural and pluralistic Algeria, a position that caused controversy and was rejected by most parties.

Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. He is also considered to be an existentialist, even though he firmly rejected the term throughout his lifetime.

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VI I’M EMBARASSED to be in bed when you arrive. It’s nothing, just a little fever that I’m treating with gin. I’m accustomed to these attacks. Malaria, I think, that I caught at the time I was pope. No, I’m only half joking. I know what you’re thinking: it’s very hard to disentangle the true from the false in what I’m saying. I admit you are right. I myself ... You see, a person I knew used to divide human beings into three categories: those who prefer having nothing to hide rather than being obliged to lie, those who prefer lying to having nothing to hide, and finally those who like both lying and the hidden. I’ll let you choose the pigeonhole that suits me. But what... (From: TheAnarchistLibrary.org.)
Chapter Four EARLY in the morning, the fog-lamps of Mersault’s car were gleaming along the coast road. Leaving Algiers, he passed milk carts, and the warm smell of the horses made him even more aware of the morning’s freshness. It was still dark. A last star dissolved slowly in the sky, and on the pale road he could hear only the motor’s contented purr and occasionally, in the distance, the sound of hooves, the clatter of milk-cans, until out of the dark his lights glittered on the horseshoes. Then everything vanished in the sound of speed. He was driving faster now, and the night swiftly veered to day. Out of the darkness still retained between the hills, the car climbed an empty road overlooking the sea, wh... (From: TheAnarchistLibrary.org.)
Summer In Algiers for JACQUES HEURGON The loves we share with a city are often secret loves. Old walled towns like Paris, Prague, and even Florence are closed in on themselves and hence limit the world that belongs to them. But Algiers (together with certain other privileged places such as cities on the sea) opens to the sky like a mouth or a wound. In Algiers one loves the commonplaces: the sea at the end of every street, a certain volume of sunlight, the beauty of the race. And, as always, in that unashamed offering there is a secret fragrance. In Paris it is possible to be homesick for space and a beating of wings. Here at least man is gratified in every wish and, sure of his desires, can at last measure his poss... (From: TheAnarchistLibrary.org.)
November 30, 1946 Toward Dialogue Yes, we must raise our voices. Up to this point, I have refrained from appealing to emotion. We are being torn apart by a logic of history which we have elaborated in every detail — a net which threatens to strangle us. It is not emotion which can cut through the web of a logic which has gone to irrational lengths, but only reason which can meet logic on its own ground. But I should not want to leave the impression... that any program for the future can get along without our powers of love and indignation. I am well aware that it takes a powerful prime mover to get men into motion and that it is hard to throw one’s self into a struggle whose objectives are so modest and where hope has o... (From: TheAnarchistLibrary.org.)
It is as reasonable to represent one kind of imprisonment by another, as it is to represent anything that really exists by that which exists not. DANIEL DEFOE PART I The unusual events described in this chronicle occurred in 194- at Oran. Everyone agreed that, considering their somewhat extraordinary character, they were out of place there. For its ordinariness is what strikes one first about the town of Oran, which is merely a large French port on the Algerian coast, headquarters of the Prefect of a French Department. The town itself, let us admit, is ugly. It has a smug, placid air and you need time to discover what it is that makes it different from so many business centers in other parts of the w... (From: TheAnarchistLibrary.org.)
Part Four: Rebellion and Art Art is the activity that exalts and denies simultaneously. "No artist tolerates reality," says Nietzsche. That is true, but no artist can get along without reality. Artistic creation is a demand for unity and a rejection of the world. But it rejects the world on account of what it lacks and in the name of what it sometimes is. Rebellion can be observed here in its pure state and in its original complexities. Thus art should give us a final perspective on the content of rebellion. The hostility to art shown by all revolutionary reformers must, however, be pointed out. Plato is moderately reasonable. He only calls in question the deceptive function of language and exiles only poets from his rep... (From: TheAnarchistLibrary.org.)
Part 1 Shortly before the war of 1914, an assassin whose crime was particularly repulsive (he had slaughtered a family of farmers, including the children) was condemned to death in Algiers. He was a farm worker who had killed in a sort of bloodthirsty frenzy but had aggravated his case by robbing his victims. The affair created a great stir. It was generally thought that decapitation was too mild a punishment for such a monster. This was the opinion, I have been told, of my father, who was especially aroused by the murder of the children. One of the few things I know about him, in any case, is that he wanted to witness the execution, for the first time in his life. He got up in the dark to go to the place of execution at the other en... (From: TheAnarchistLibrary.org.)
Part One I MOTHER died today. Or, maybe, yesterday; I can't be sure. The telegram from the Home says: YOUR MOTHER PASSED AWAY. FUNERAL TOMORROW. DEEP SYMPATHY. Which leaves the matter doubtful; it could have been yesterday. The Home for Aged Persons is at Marengo, some fifty miles from Algiers. With the two o'clock bus I should get there well before nightfall. Then I can spend the night there, keeping the usual vigil beside the body, and be back here by tomorrow evening. I have fixed up with my employer for two days' leave; obviously, under the circumstances, he couldn't refuse. Still, I had an idea he looked annoyed, and I said, without thinking: "Sorry, sir, but it's not my fault, you know." Afterwards it st... (From: TheAnarchistLibrary.org.)

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November 7, 1913
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