,WRITT5 ,MUSIC ,REMODEL$ 

,PEOPLE 3 

,AU?OR 3 ,JOSIAH ,W>R5 

,TEXT 3 

,!SE >E ! 0PRELIM9>Y REM>KS0 TO ,W>R5'S ,WRITT5 ,MUSIC ,REMODEL$ & ,9VE/$ ) ! ,SIMPLICITY ( AN ,EXACT ,SCI5CE4 ,! ELEM5TS ( EXPRESSION RECOGNIZ$ & R5D]$ DEF9ITE1 !REBY SECUR+ ! GREAT OBJECT ( MUSICAL P]=MANCE EV]Y:]E1 & ABOLI%+ MULTITUDES ( AMBIGU\S WORDS ADOPT$ 9 VA9 TO SECURE ?AT 5D4 ,! UNNECESS>Y TRANSPOSITION ( KEYS 9 VOCAL MUSIC DISP5S$ )1 & ! PR9CIPAL USE1 & ! BEWILD]+ /UDY ( FLATS & %>PS !REBY ABOLI%$4 ,! CONFUSION ( CLEFFS ABOLI%$4 ,A SY/EM ( %ORT H& ACCOMPANIM5T 9TRODUC$4 ,NO UNNECESS>Y 9NOVATIONS MADE2 BUT ! EASY TRANSITIONS FROM1 & TO1 ! COMMON NOTATION MADE AN OBJECT ( SPECIAL C>E4 ,! BOOKLET WAS PUBLI%$ 9 ,BO/ON BY ,JEWETT 9 #a#h#f1 APP>5TLY US+ ,W>R5'S /]EOTYP+ TE*NIQUE4 ,?IS IS AN 9T]E/+ LITTLE PIECE1 RELAT+ MUSIC TO POLITICS & ECONOMICS1 & PO9T$LY EXPRESS+ ! FRU/RATION ,W>R5 FELT AB\T ! DIFFICULTY HE HAD GETT+ AN AUDI5CE = HIS IDEAS & 9V5TIONS4 ,MO/ ( ! BOOK CONSI/S ( SONGS 9 ! NEW NOTATION4 ,I CANNOT PRON\NCE ON ! SY/EM ITSELF1 NOT READ+ MUSIC1 BUT ,I'M TOLD ?AT IT IS AT LEA/ CON/RUCT$ ) EXP]TIZE1 & C\LD HAVE BE5 USEFUL IF ADOPT$4 

,:OEV] UND]/&S ! PHILOSOPHY ( MUSIC1 ?AT IS1 ! ESS5TIAL P[]S ( MUSICAL S\NDS1 WILL PROBABLY ADMIT ?AT ! PRES5T MODE ( REPRES5T+ !M ON PAP] IS NEI!R SCI5TIFIC NOR REASONABLE1 & NEV] WAS ADAPT$ TO ! WANTS ( ! PUBLIC 9 G5]AL4 ,IT NEI!R GIVES ! AU?OR P[] TO EXPRESS HIS IDEAS SO AS TO BE ACCURATELY READ & CONCEIV$ BY ! P]=M]1 NOR CAN ! /UD5T OBTA9 BY ! PRES5T WRITT5 RUDIM5TS ANY ?+ ?AT HE CAN CALL DEF9ITE OR SATISFACTORY KN[L$GE4 

,! GR[+ TA/E & DEM& = SU* KN[L$GE CALLS L\DLY = A DEEP & PATI5T CONSID]ATION ( ! SUBJECT & JU/IFY A ?OR\< & M]CILESS CRITICISM ( ! CAUSES :I* LEAD TO ! G5]AL REM>K1 0,I MADE ! ATTEMPT TWO OR ?REE TIMES1 BUT MY HEAD WAS TOO ?ICK1 ,I C\LDN'T UND]/& IT & GAVE IT UP1 ?\< ,I W\LD GIVE ALMO/ ANY?+ TO BE ABLE TOP S+ OR PLAY AN 9/RUM5T40 

,! POSITION TAK5 BY ! AU?OR ( ?IS WORK IS ?AT ! FAULT IS NOT ) ! PEOPLE1 BUT 9 ! MODE ( REPRES5T+ MUSIC ON PAP]4 

,BUT WE HAVE GREAT OB/ACLES TO OV]COME4 ,TRADITIONAL BIAS1 REV]5CE = AU?ORITY1 VE/$ 9T]E/S1 PR(ESSIONAL AMBITION & EGOTISM1 ALL /& 9 DEADLY >RAY AGA9/ ANY ATTACK ON ! PRES5T SY/EM 7OR WANT ( A SY/EM7 & ! 9NOVATOR MU/ BE PREP>$ TO MEET ALL ! OPPOSITION :I* !SE ADV]SE 9FLU5CES CAN WIELD2 & NO?+ %ORT ( ! GL>+ & POSITIVE ADVANTAGES HE (F]S ! PUBLIC CAN JU/IFY = A MOM5T ! REMOTE/ HOPE = SUCCESS4 

,NO?+ = ! M]E SAKE ( 9NOVATION4 ,! AU?OR YIELDS EV]Y ?+ = ! PRES5T SY/EM ?AT CAN BE YIELD$ )\T RUNN+ 9TO CONFUSION 7:I* IS ! EVIL TO BE REM$I$7 & PROPOSES ONLY SO MU* 9NOVATION AS IS 9DISP5SABLE TO ! SUCCESS ( ?IS GREAT AG5T :I* IS SO RAPIDLY BECOM+ ONE ( ! NECESS>IES ( LIFE4 

,SOME IDEA ( ! OB/ACLES TO ?IS 5T]PRISE MAY BE =M$ FROM A FEW ILLU/RATIVE FACTS4 ,= TW5TY YE>S ! AU?OR HAD BE5 DESIR\S ( F9D+ SOME MUSIC PUBLI%] :O W\LD TAKE AN 9T]E/ 9 IT BUT )\T SUCCESS4 ,DO Y\ ASK :Y8 ,I WILL GIVE !IR [N ANSW]S4 

,A V]Y LIB]AL & K9D FRI5D ( ! AU?OR1 :O WAS A MUSIC COMPOS] & PUBLI%] WAS ASK$ BY ANO!R FRI5D1 :AT HE ?\<T ( ! NEW SY/EM PROPOS$4 ,HIS V]Y FRANK ANSW] WAS1 0,AS WE HAVE GOT SO MU* 9VE/$ 9 ! COMMON MUSIC1 ! LESS WE SAY AB\T IT ! BETT]40 ,I DO NOT COMPLA9 ( ! MAN2 HE WAS A GOOD1 K9D1 OBLIG+1 BUT ! BE/ ( M5 >E M]E SLAVES TO ! UNLIMIT$ PR(IT MAK+ SY/EM ( BUS9ESS1 & CAN ALL[ NO SUCCESSFUL RIVALRIES IF !Y CAN HELP IT4 ,!RE CAN BE NO G5]OSITY OR PUBLIC SPIRIT ANY MORE ?AN FRI5D%IP 9 ! PRES5T SY/EM ( TRADE4 

,9 A CONTROV]SY ) ONE ( ! PR9CIPAL MUSICAL AU?ORITIES & PUBLI%]S 9 ! WE/ 9 #a#h#d#d1 AFT] ! EX*ANGE ( A FEW IDEAS1 HE SAID1 0WELL ,I MU/ ADMIT Y\ >E RI<T1 BUT WE HAVE A LIV+ TO GET1 & ! PRES5T SY/EM SUITS US40 ,HE TURN$ AWAY1 & SITT+ D[N TO ! PIANO COMM5C$ PLAY+4 

,AN APPLICATION WAS MADE TO ONE ( ! PR9CIPAL PUBLI%]S 9 ,BO/ON1 :O REPLI$ AT ONCE1 0,YES1 WE WILL PUBLI% IT IF Y\ GET ! SANCTION ( ,MR4 .-.-.-.-.-.- & ,MR4 .-.-.-.-.-4 ,BUT !SE G5TLEM5 W]E PRECISELY ! ONES FROM :OM ! GREATE/ OPPOSITION MI<T BE EXPECT$1 AS RIVALS MO/ DEEPLY 9T]E/$ 9 KEEP+ UP ! PRES5T SY/EM4 

,IT IS PLA9 !N1 ?AT MUSIC1 ) ALL ITS GR&1 ELEVAT+1 & BEAUTIFY+ P[]S1 IS MADE 5TIRELY SUBS]VI5T TO ! ONE GREAT1 ALL ABSORB+ OBJECT ( MONEY MAK+4 

,! NECESSITIES ( ! PUBLIC1 ! NECESSITIES ( MUSIC ITSELF1 ! IMM5SE 9FLU5CE = GOOD OR EVIL :I* IT EX]TS EV]Y :]E1 ALL WEI< NO?+ 9 ! SCALE ) ! PR(ITS 9 TRADE & ! PUBLIC >E AS MU* PUPPETS 79 ?IS RESPECT7 ( MUSICAL WIRE WORK]S .<8.> AS !Y >E ( ,FR5* MILL9]S & IMPORT]S ( =EIGN FURS OR DOME/IC SKUNK SK9S4 

,TO UND]/& ?IS ITEM ( SLAV]Y1 LET IT BE CONSID]$ ?AT MUSIC HAS ALWAYS BE5 EMPLOY$ AS A P[]FUL AG5CY :]E ! OBJECT WAS TO SUBJUGATE ! MASSES ( MANK9D2 IT MAY !RE=E BE EMPLOY$ ) EQUAL P[] = !IR EMANCIPATION4 

,AN ,5GLI% /ATESMAN ( MU* NOTE ONCE SAID 0GIVE ME ! MAK+ ( ! SONGS ( A NATION & ,I C>E NOT :O MAKE IT LAWS40 ,P]HAPS HE DID NOT ?9K ?AT H[EV] WELL CALCULAT$ HIS SONGS MI<T BE TO SUB/ITUTE = LAWS1 TO ELEVATE1 REF9E1 & H>MONIZE & HUMANIZE A PEOPLE1 HE C\LD NOT GET !M BE=E ! PUBLIC ?R\< ANY ( ! ORD9>Y *ANNELS1 9 COMPETITION ) ! 0E/ABLI%$ AU?ORS0 :O HAVE O!R OBJECTS 9 VIEW4 ,TO HAVE ! M>KET OP5 TO EV]Y AU?OR & !IR COMPOSITIONS TO SELL ON !IR [N M]ITS W\LD SPOIL ! PR(ITS D]IV$ FROM MONOPOLY4 ,IT IS EVID5T ?AT ANY GREAT 9NOVATION OR IMPROVEM5T CANNOT EXPECT ANY SYMPA?Y OR AID FROM ! TRADE & !RE=E MU/ TAKE ITS /& ON ! UNPLEASANT GR\ND ( OP5 CONTE/1 & BE PREP>$ TO LET ! /RONGE/ PREVAIL4 

,?IS WORK MU/ /& OR FALL ON ITS [N 9TR9SIC M]ITS -- NOT AT ALL ON ITS AU?OR'S NAME 2 =1 AL?\< A PR(ESSOR ( MUSIC FROM ! AGE ( EI<TE51 SOME TW5TY YE>S1 YET HE IS N[ 5TIRELY UNKN[N TO ! PUBLIC & 9T5DS TO REMA9 SO4 

,P]HAPS AN APOLOGY %\LD BE MADE 9 ADVANCE = ! IMP]FECTIONS ?AT MAY APPE> 9 ! ME*ANICAL EXECUTION ( ! WORK4 ,IT IS ! PRODUCTION ( 5TIRELY NEW MODE ( 5GRAV+1 ?IS WORK BE+ ! FIR/ EV] EXECUT$ BY IT4 ,IT IS BUT REASONABLE TO EXPECT MANY IMP]FECTIONS :I* ! OLD] >TS HAVE OV]COME BY LONG EXP]I5CE1 :I* IS ! ONLY MEANS TO CONQU] !M4 

,! SUB/ANCE ( ! APOLOGY IS1 ?AT AN >T WAS NE$$ BY :I* MUSIC1 DRAW+S1 MAPS1 PHONOGRAPHY1 & MISCELLANE\S ILLU/RATIONS C\LD BE PR9T$ BY A ME?OD LESS T$I\S & EXP5SIVE ?AN BY ?OSE N[ 9 USE2 & IF ?IS WORK %\LD PROVE TO BE ! G]M ( ! REVOLUTION REQUIR$ = MUSIC1 ! PUBLIC WILL EXCUSE ! UNAVOIDABLE IMP]FECTIONS 9CID5T TO ! FIR/ ATTEMPTS TO USE ! 9/RUM5TALITIES BY :I* IT WAS EFFECT$4 

,! COPY RI<T HAS BE5 SECUR$ AS ! ONLY EXI/+ MEANS ( SECUR+ REMUN]ATION4 ,BUT ABHOR+ ! PR9CIPLE ( MONOPOLY & ALL ! WORK+S & T5D5CIES ( COPY RI<TS & PAT5TS & ( AN 5DLESS & UNPR9CIPL$ SCRAMBLE AFT] 9DEF9ITE & UNLIMIT$ GA9S1 ! WORK & ! >T BY :I* IT IS PR9T$ 7:I* IS EQUALLY ADAPT$ TO PR9T+ MAPS1 DIAGRAMS1 & WRIT+1 & :I* IS N[ A SECRET7 %ALL BE ?R[N OP5 TO ! FREE USE ( EV]Y ONE1 :5EV] ANY PEOPLE OR GOV]NM5T %ALL M]ELY REMUN]ATE ! LABOR ?AT HAS BE5 BE/[$ UPON !M4 

7,S\RCE3 ,RETRIEV$ ON ,OCTOB] #g1 #baa FROM WEB4>*IVE4ORG47 

,FROM 3 ,!,AN>*I/,LIBR>Y4ORG4 

,*RONOLOGY 3 
,JANU>Y #a#e1 #bbb 3 ,WRITT5 ,MUSIC ,REMODEL$ -- ,ADD$4 

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