,*APT] #aa #ahigahig ,PEOPLE 3 ,AU?OR 3 ,LEO ,TOL/OY ,TRANSLATOR 3 ,AYLM] ,MAUDE ,TEXT 3 ,BECOM+ EV] POOR] & POOR] 9 SUBJECT-MATT] & MORE & MORE UN9TELLIGIBLE 9 =M1 ! >T ( ! UPP] CLASSES1 9 ITS LATE/ PRODUCTIONS1 HAS EV5 LO/ ALL ! *>ACT]I/ICS ( >T1 & HAS BE5 REPLAC$ BY IMITATIONS ( >T4 ,NOT ONLY HAS UPP]-CLASS >T1 9 CONSEQU5CE ( ITS SEP>ATION FROM UNIV]SAL >T1 BECOME POOR 9 SUBJECT-MATT] & BAD 9 =M1 I4E4 EV] MORE & MORE UN9TELLIGIBLE1 IT HAS1 9 C\RSE ( TIME1 CEAS$ EV5 TO BE >T AT ALL1 & HAS BE5 REPLAC$ BY C\NT]FEITS4 ,?IS HAS RESULT$ FROM ! FOLL[+ CAUSES4 ,UNIV]SAL >T >ISES ONLY :5 SOME ONE ( ! PEOPLE1 HAV+ EXP]I5C$ A /RONG EMOTION1 FEELS ! NECESSITY ( TRANSMITT+ IT TO O!RS4 ,! >T ( ! RI* CLASSES1 ON ! O!R H&1 >ISES NOT FROM ! >TI/'S 9N] IMPULSE1 BUT *IEFLY BECAUSE PEOPLE ( ! UPP] CLASSES DEM& AMUSEM5T & PAY WELL = IT4 ,!Y DEM& FROM >T ! TRANSMISSION ( FEEL+S ?AT PLEASE !M1 & ?IS DEM& >TI/S TRY TO MEET4 ,BUT IT IS A V]Y DIFFICULT TASK1 = PEOPLE ( ! WEAL?Y CLASSES1 SP5D+ !IR LIVES 9 IDL5ESS & LUXURY1 DESIRE TO BE CONT9UALLY DIV]T$ BY >T2 & >T1 EV5 ! L[E/1 CANNOT BE PRODUC$ AT WILL1 BUT HAS TO G5]ATE SPONTANE\SLY 9 ! >TI/'S 9N] SELF4 ,& !RE=E1 TO SATISFY ! DEM&S ( PEOPLE ( ! UPP] CLASSES1 >TI/S HAVE HAD TO DEVISE ME?ODS ( PRODUC+ IMITATIONS ( >T4 ,& SU* ME?ODS HAVE BE5 DEVIS$4 ,!SE ME?ODS >E ?OSE ( 7#a7 BORR[+1 7#b7 IMITAT+1 7#c7 /RIK+ 7EFFECTS71 & 7#d7 9T]E/+4 #a#g,! FIR/ ME?OD CONSI/S 9 BORR[+ :OLE SUBJECTS1 OR M]ELY SEP>ATE FEATURES1 FROM =M] WORKS RECOGNIZ$ BY EV]YONE AS BE+ POETICAL1 & 9 SO RE-%AP+ !M1 ) SUNDRY ADDITIONS1 ?AT !Y %\LD HAVE AN APPE>ANCE ( NOVELTY4 ,SU* WORKS1 EVOK+ 9 PEOPLE ( A C]TA9 CLASS MEMORIES ( >TI/IC FEEL+S =M]LY EXP]I5C$1 PRODUCE AN IMPRESSION SIMIL> TO >T1 &1 PROVID$ ONLY ?AT !Y CON=M TO O!R NE$FUL CONDITIONS1 !Y PASS = >T AMONG ?OSE :O SEEK = PLEASURE FROM >T4 ,SUBJECTS BORR[$ FROM PREVI\S WORKS ( >T >E USUALLY CALL$ POETICAL SUBJECTS4 ,OBJECTS & PEOPLE ?US BORR[$ >E CALL$ POETICAL OBJECTS & PEOPLE4 ,?US1 9 \R CIRCLE1 ALL SORTS ( LEG5DS1 SAGAS1 & ANCI5T TRADITIONS >E CONSID]$ POETICAL SUBJECTS4 ,AMONG POETICAL PEOPLE & OBJECTS WE RECKON MAID5S1 W>RIORS1 %EPH]DS1 H]MITS1 ANGELS1 DEVILS ( ALL SORTS1 MOONLIE CONSID]$ POETICAL :I* HAVE BE5 MO/ FREQU5TLY US$ BY =M] >TI/S 9 !IR PRODUCTIONS4 ,SOME =TY YE>S AGO A /UPID BUT HI SOME WAT] 9 A POETIC WOOD4 ,! SC5E WAS 9 ,RUSSIA1 BUT SUDD5LY FROM BEH9D ! BU%ES ! H]O APPE>S1 WE>+ A HAT ) A FEA!R A LA ,GUILLAUME ,TELL 7! BOOK SPECIALLY M5TION$ ?IS7 & ACCOMPANI$ BY TWO POETICAL :ITE DOGS4 ,! AU?ORESS DEEM$ ALL ?IS HIY = ! H]O TO SPEAK4 ,BUT AS SOON AS ! G5TLEMAN 9 ! HAT A LA ,GUILLAUME ,TELL BEGAN TO CONV]SE ) ! MAID5 9 ! :ITE DRESS1 IT BECAME OBVI\S ?AT ! AU?ORESS HAD NO?+ TO SAY1 BUT HAD M]ELY BE5 MOV$ BY POETIC MEMORIES ( O!R WORKS1 & IMAG9$ ?AT BY R++ ! #a#h*ANGES ON ?OSE MEMORIES %E C\LD PRODUCE AN >TI/IC IMPRESSION4 ,BUT AN >TI/IC IMPRESSION1 I4E4 9FECTION1 IS ONLY RECEIV$ :5 AN AU?OR HAS1 9 ! MANN] PECULI> TO HIMSELF1 EXP]I5C$ ! FEEL+ :I* HE TRANSMITS1 & NOT :5 HE PASSES ON ANO!R MAN'S FEEL+ PREVI\SLY TRANSMITT$ TO HIM4 ,SU* POETRY FROM POETRY CANNOT 9FECT PEOPLE1 IT CAN ONLY SIMULATE A WORK ( >T1 & EV5 ?AT ONLY TO PEOPLE ( P]V]T$ AES!TIC TA/E4 ,! LADY 9 QUE/ION BE+ V]Y /UPID & DEVOID ( TAL5T1 IT WAS AT ONCE APP>5T H[ ! CASE /OOD2 BUT :5 SU* BORR[+ IS RESORT$ TO BY PEOPLE :O >E ]UDITE & TAL5T$ & HAVE CULTIVAT$ ! TE*NIQUE ( !IR >T1 WE GET ?OSE BORR[+S FROM ! ,GREEK1 ! ANTIQUE1 ! ,*RI/IAN OR MY?OLOGICAL WORLD :I* HAVE BECOME SO NUM]\S1 & :I*1 P>TICUL>LY 9 \R DAY1 CONT9UE TO 9CREASE & MULTIPLY1 & >E ACCEPT$ BY ! PUBLIC AS WORKS ( >T1 IF ONLY ! BORR[+S >E WELL M\NT$ BY MEANS ( ! TE*NIQUE ( ! P>TICUL> >T TO :I* !Y BELONG4 ,AS A *>ACT]I/IC EXAMPLE ( SU* C\NT]FEITS ( >T 9 ! REALM ( POETRY1 TAKE ,RO/&'S ,PR9CESSE ,LO9TA9E1 9 :I* !RE IS NOT A SP>K ( >T1 BUT :I* SEEMS V]Y POETICAL TO MANY PEOPLE1 & PROBABLY ALSO TO ITS AU?OR4 ,! SECOND ME?OD ( IMP>T+ A SEMBLANCE ( >T IS ?AT :I* ,I HAVE CALL$ IMITAT+4 ,! ESS5CE ( ?IS ME?OD CONSI/S 9 SUPPLY+ DETAILS ACCOMPANY+ ! ?+ DESCRIB$ OR DEPICT$4 ,9 LIT]>Y >T ?IS ME?OD CONSI/S 9 DESCRIB+1 9 ! M9UTE/ DETAILS1 ! EXT]NAL APPE>ANCE1 ! FACES1 ! CLO!S1 ! GE/URES1 ! TONES1 & ! HABITATIONS ( ! *>ACT]S REPRES5T$1 ) ALL ! OCCURR5CES MET ) 9 LIFE4 ,= 9/ANCE1 9 NOVELS & /ORIES1 :5 ONE ( ! *>ACT]S SPEAKS WE >E TOLD 9 :AT VOICE HE SPOKE1 & :AT HE WAS DO+ AT ! TIME4 ,& ! ?+S SAID >E NOT GIV5 SO ?AT !Y %\LD HAVE AS MU* S5SE AS POSSIBLE1 BUT1 AS !Y >E 9 LIFE1 DISCONNECT$LY1 & ) 9T]RUPTIONS & OMISSIONS4 ,9 DRAMATIC >T1 #a#iBESIDES SU* IMITATION ( REAL SPEE*1 ?IS ME?OD CONSI/S 9 HAV+ ALL ! ACCESSORIES & ALL ! PEOPLE JU/ LIKE ?OSE 9 REAL LIFE4 ,9 PA9T+ ?IS ME?OD ASSIMILATES PA9T+ TO PHOTOGRAPHY & DE/ROYS ! DIFF]5CE BETWE5 !M4 ,&1 /RANGE TO SAY1 ?IS ME?OD IS US$ ALSO 9 MUSIC3 MUSIC TRIES TO IMITATE NOT ONLY BY ITS RHY?M BUT ALSO BY ITS V]Y S\NDS1 ! S\NDS :I* 9 REAL LIFE ACCOMPANY ! ?+ IT WI%ES TO REPRES5T4 ,! ?IRD ME?OD IS BY ACTION1 (T5 PURELY PHYSICAL1 ON ! \T] S5SES4 ,WORK ( ?IS K9D IS SAID TO BE 0/RIK+10 0EFFECTFUL40 ,9 ALL >TS !SE EFFECTS CONSI/ *IEFLY 9 CONTRA/S2 9 BR++ TOGE!R ! T]RIBLE & ! T5D]1 ! BEAUTIFUL & ! HIDE\S1 ! L\D & ! S(T1 D>KNESS & LIY & ! MO/ EXTRAORD9>Y4 ,9 V]BAL >T1 BESIDES EFFECTS ( CONTRA/1 !RE >E ALSO EFFECTS CONSI/+ 9 ! DESCRIPTION ( ?+S ?AT HAVE NEV] BE=E BE5 DESCRIB$4 ,!SE >E USUALLY PORNOGRAPHIC DETAILS EVOK+ SEXUAL DESIRE1 OR DETAILS ( SUFF]+ & DEA? EVOK+ FEEL+S ( HORROR1 AS1 = 9/ANCE1 :5 DESCRIB+ A MURD]1 TO GIVE A DETAIL$ M$ICAL ACC\NT ( ! LAC]AT$ TISSUES1 ( ! SWELL+S1 ( ! SMELL1 QUANTITY & APPE>ANCE ( ! BLOOD4 ,IT IS ! SAME 9 PA9T+3 BESIDES ALL K9DS ( O!R CONTRA/S1 ONE IS COM+ 9TO VOGUE :I* CONSI/S 9 GIV+ C>EFUL F9I% TO ONE OBJECT & BE+ C>ELESS AB\T ALL ! RE/4 ,! *IEF & USUAL EFFECTS 9 PA9T+ >E EFFECTS ( LIE TEMPE/S1 ?UND]1 MOONLIE A CRESC5DO1 PASS+ FROM ! S(TE/ & SIMPLE/ S\NDS TO ! L\DE/ & MO/ COMPLEX CRA% ( ! FULL OR*E/RA2 A REPETITION ( ! SAME S\NDS >PEGGIO 9 ALL ! OCTAVES & ON V>I\S 9/RUM5TS2 #a#aOR ?AT ! H>MONY1 TONE1 & RHY?M BE NOT AT ALL ?OSE NATURALLY FL[+ FROM ! C\RSE ( ! MUSICAL ?\E PRODUC$ 9 A PURELY PHYSICAL MANN] BY /R5G? ( S\ND1 ESPECIALLY 9 AN OR*E/RA4 ,SU* >E SOME ( ! MO/ USUAL EFFECTS 9 ! V>I\S >TS1 BUT !RE YET REMA9S ONE COMMON TO !M ALL1 NAMELY1 TO CONVEY BY MEANS ( ONE >T :AT IT W\LD BE NATURAL TO CONVEY BY ANO!R3 = 9/ANCE1 TO MAKE MUSIC DESCRIBE 7AS IS DONE BY ! PROGRAM MUSIC ( ,WAGN] & HIS FOLL[]S71 OR TO MAKE PA9T+1 ! DRAMA1 OR POETRY1 9DUCE A FRAME ( M9D 7AS IS AIM$ AT BY ALL ! ,DECAD5T >T74 ,! F\R? ME?OD IS ?AT ( 9T]E/+ 7?AT IS1 ABSORB+ ! M9D7 9 CONNECTION ) WORKS ( >T4 ,! 9T]E/ MAY LIE 9 AN 9TRICATE PLOT--A ME?OD TILL QUITE REC5TLY MU* EMPLOY$ 9 ,5GLI% NOVELS & ,FR5* PLAYS1 BUT N[ GO+ \T ( FA%ION & BE+ REPLAC$ BY AU!NTICITY1 I4E4 BY DETAIL$ DESCRIPTION ( SOME HI/ORICAL P]IOD OR SOME BRAN* ( CONTEMPOR>Y LIFE4 ,= EXAMPLE1 9 A NOVEL1 9T]E/+NESS MAY CONSI/ 9 A DESCRIPTION ( ,EGYPTIAN OR ,ROMAN LIFE1 ! LIFE ( M9]S1 OR ?AT ( ! CL]KS 9 A L>GE %OP4 ,! READ] BECOMES 9T]E/$ & MI/AKES ?IS 9T]E/ = AN >TI/IC IMPRESSION4 ,! 9T]E/ MAY ALSO DEP5D ON ! V]Y ME?OD ( EXPRESSION2 A K9D ( 9T]E/ ?AT HAS N[ COME MU* 9TO USE4 ,BO? V]SE & PROSE1 AS WELL AS PICTURES1 PLAYS1 & MUSIC1 >E CON/RUCT$ SO ?AT !Y MU/ BE GUESS$ LIKE RIDDLES1 & ?IS PROCESS ( GUESS+ AGA9 AF=DS PLEASURE & GIVES A SEMBLANCE ( ! FEEL+ RECEIV$ FROM >T4 ,IT IS V]Y (T5 SAID ?AT A WORK ( >T IS V]Y GOOD BECAUSE IT IS POETIC1 OR REALI/IC1 OR /RIK+1 OR 9T]E/+2 :]EAS NOT ONLY CAN NEI!R ! FIR/1 NOR ! SECOND1 NOR ! ?IRD1 NOR ! F\R? ( !SE ATTRIBUTES SUPPLY A /&>D ( EXCELL5CE 9 >T1 BUT !Y HAVE NOT EV5 ANY?+ 9 COMMON ) >T4 #a#a#a,POETIC--MEANS BORR[$4 ,ALL BORR[+ M]ELY RECALLS TO ! READ]1 SPECTATOR1 OR LI/5] SOME DIM RECOLLECTION ( >TI/IC IMPRESSIONS !Y HAVE RECEIV$ FROM PREVI\S WORKS ( >T1 & DOES NOT 9FECT !M ) FEEL+ :I* ! >TI/ HAS HIMSELF EXP]I5C$4 ,A WORK F\ND$ ON SOME?+ BORR[$1 LIKE ,GOE!'S ,FAU/ = 9/ANCE1 MAY BE V]Y WELL EXECUT$ & BE FULL ( M9D & EV]Y BEAUTY1 BUT BECAUSE IT LACKS ! *IEF *>ACT]I/IC ( A WORK ( >T--COMPLET5ESS1 ON5ESS1 ! 9SEP>ABLE UNITY ( =M & CONT5TS EXPRESS+ ! FEEL+ ! >TI/ HAS EXP]I5C$--IT CANNOT PRODUCE A REALLY >TI/IC IMPRESSION4 ,9 AVAIL+ HIMSELF ( ?IS ME?OD1 ! >TI/ ONLY TRANSMITS ! FEEL+ RECEIV$ BY HIM FROM A PREVI\S WORK ( >T2 !RE=E EV]Y BORR[+1 :E!R IT BE ( :OLE SUBJECTS1 OR ( V>I\S SC5ES1 SITUATIONS1 OR DESCRIPTIONS1 IS BUT A REFLECTION ( >T1 A SIMULATION ( IT1 BUT NOT >T ITSELF4 ,& !RE=E1 TO SAY ?AT A C]TA9 PRODUCTION IS GOOD BECAUSE IT IS POETIC1--I4E4 RESEMBLES A WORK ( >T1--IS LIKE SAY+ ( A CO9 ?AT IT IS GOOD BECAUSE IT RESEMBLES REAL MONEY4 ,EQUALLY LITTLE CAN IMITATION1 REALISM1 S]VE1 AS MANY PEOPLE ?9K1 AS A MEASURE ( ! QUALITY ( >T4 ,IMITATION CANNOT BE SU* A MEASURE1 = ! *IEF *>ACT]I/IC ( >T IS ! 9FECTION ( O!RS ) ! FEEL+S ! >TI/ HAS EXP]I5C$1 & 9FECTION ) A FEEL+ IS NOT ONLY NOT ID5TICAL ) DESCRIPTION ( ! ACCESSORIES ( :AT IS TRANSMITT$1 BUT IS USUALLY H9D]$ BY SUP]FLU\S DETAILS4 ,! ATT5TION ( ! RECEIV] ( ! >TI/IC IMPRESSION IS DIV]T$ BY ALL !SE WELL-OBS]V$ DETAILS1 & !Y H9D] ! TRANSMISSION ( FEEL+ EV5 :5 IT EXI/S4 ,TO VALUE A WORK ( >T BY ! DEGREE ( ITS REALISM1 BY ! ACCURACY ( ! DETAILS REPRODUC$1 IS AS /RANGE AS TO JUDGE ( ! NUTRITIVE QUALITY ( FOOD BY ITS EXT]NAL APPE>ANCE4 ,:5 WE APPRAISE A WORK ACCORD+ TO ITS REALISM1 WE ONLY %[ ?AT WE >E TALK+1 NOT ( A WORK ( >T1 BUT ( ITS C\NT]FEIT4 #a#a#b,NEI!R DOES ! ?IRD ME?OD ( IMITAT+ >T--BY ! USE ( :AT IS /RIK+ OR EFFECTFUL--CO9CIDE ) REAL >T ANY BETT] ?AN ! TWO =M] ME?ODS1 = 9 EFFECTFULNESS--! EFFECTS ( NOVELTY1 ( ! UNEXPECT$1 ( CONTRA/S1 ( ! HORRIBLE--!RE IS NO TRANSMISSION ( FEEL+1 BUT ONLY AN ACTION ON ! N]VES4 ,IF AN >TI/ W]E TO PA9T A BLOODY W\ND ADMIRABLY1 ! SIT4 ,ONE PROLONG$ NOTE ON A P[]FUL ORGAN WILL PRODUCE A /RIK+ IMPRESSION1 WILL (T5 EV5 CAUSE TE>S1 BUT !RE IS NO MUSIC 9 IT1 BECAUSE NO FEEL+ IS TRANSMITT$4 ,YET SU* PHYSIOLOGICAL EFFECTS >E CON/ANTLY MI/AK5 = >T BY PEOPLE ( \R CIRCLE1 & ?IS NOT ONLY 9 MUSIC1 BUT ALSO 9 POETRY1 PA9T+1 & ! DRAMA4 ,IT IS SAID ?AT >T HAS BECOME REF9$4 ,ON ! CONTR>Y1 ?ANKS TO ! PURSUIT ( EFFECTFULNESS1 IT HAS BECOME V]Y CO>SE4 ,A NEW PIECE IS BR\T1 ! AU?OR %\LD EI!R MAKE ONE ( ! *>ACT]S EXPRESS ?IS PITY 9 SU* A WAY AS TO 9FECT EV]YONE1 OR HE %\LD DESCRIBE ! GIRL'S FEEL+S CORRECTLY4 ,BUT HE CANNOT1 OR WILL NOT1 DO ?IS1 & *OOSES ANO!R WAY1 MORE COMPLICAT$ 9 /AGE MANAGEM5T BUT EASI] = ! AU?OR4 ,HE MAKES ! GIRL DIE ON ! /AGE2 &1 /ILL FUR!R TO 9CREASE ! PHYSIOLOGICAL EFFECT ON ! SPECTATORS1 HE EXT+UI%ES ! LIK1 & TO ! S\ND ( DISMAL MUSIC HE %[S H[ ! GIRL IS PURSU$ & BEAT5 BY H] DRUNK5 FA!R4 ,! GIRL %R9KS--SCREAMS--GROANS--& FALLS4 ,ANGELS APPE> & C>RY H] AWAY4 ,& ! AUDI5CE1 EXP]I5C+ SOME EXCITEM5T :ILE ?IS IS GO+ ON1 >E FULLY CONV9C$ ?AT ?IS IS TRUE AES!TIC FEEL+4 ,BUT !RE IS NO?+ AES!TIC 9 SU* EXCITEM5T1 = !RE IS NO 9FECT+ ( MAN BY MAN1 BUT ONLY A M+L$ FEEL+ ( #a#a#cPITY = ANO!R1 & ( SELF-CONGRATULATION ?AT IT IS NOT ,I :O AM SUFF]+3 IT IS LIKE :AT WE FEEL AT ! SITICUL>LY NOTICEABLE 9 MUSICAL >T--?AT >T :I* BY ITS NATURE HAS AN IMM$IATE PHYSIOLOGICAL ACTION ON ! N]VES4 ,9/EAD ( TRANSMITT+ BY MEANS ( A MELODY ! FEEL+S HE HAS EXP]I5C$1 A COMPOS] ( ! NEW S*OOL ACCUMULATES & COMPLICATES S\NDS1 & BY N[ /R5G!N+1 N[ WEAK5+ !M1 HE PRODUCES ON ! AUDI5CE A PHYSIOLOGICAL EFFECT ( A K9D ?AT CAN BE MEASUR$ BY AN APP>ATUS 9V5T$ = ! PURPOSE4.<#h#c.> ,& ! PUBLIC MI/AKE ?IS PHYSIOLOGICAL EFFECT = ! EFFECT ( >T4 ,AS TO ! F\R? ME?OD--?AT ( 9T]E/+--IT ALSO IS FREQU5TLY CONF\ND$ ) >T4 ,ONE (T5 HE>S IT SAID1 NOT ONLY ( A POEM1 A NOVEL1 OR A PICTURE1 BUT EV5 ( A MUSICAL WORK1 ?AT IT IS 9T]E/+4 ,:AT DOES ?IS MEAN8 ,TO SPEAK ( AN 9T]E/+ WORK ( >T MEANS EI!R ?AT WE RECEIVE FROM A WORK ( >T 9=MATION NEW TO US1 OR ?AT ! WORK IS NOT FULLY 9TELLIGIBLE1 & ?AT LITTLE BY LITTLE1 & ) EF=T1 WE >RIVE AT ITS MEAN+1 & EXP]I5CE A C]TA9 PLEASURE 9 ?IS PROCESS ( GUESS+ IT4 ,9 NEI!R CASE HAS ! 9T]E/ ANY?+ 9 COMMON ) >TI/IC IMPRESSION4 ,>T AIMS AT 9FECT+ PEOPLE ) FEEL+ EXP]I5C$ BY ! >TI/4 ,BUT ! M5TAL EF=T NECESS>Y TO 5ABLE ! SPECTATOR1 LI/5]1 OR READ] TO ASSIMILATE ! NEW 9=MATION CONTA9$ 9 ! WORK1 OR TO GUESS ! PUZZLES PROP\ND$1 BY DI/RACT+ HIM1 H9D]S ! 9FECTION4 ,& !RE=E ! 9T]E/+NESS ( A WORK NOT ONLY HAS NO?+ TO DO ) ITS EXCELL5CE AS A WORK ( >T1 BUT RA!R H9D]S ?AN ASSI/S >TI/IC IMPRESSION4 ,WE MAY1 9 A WORK ( >T1 MEET ) :AT IS POETIC1 & #a#a#dREALI/IC1 & /RIK+1 & 9T]E/+1 BUT !SE ?+S CANNOT REPLACE ! ESS5TIAL ( >T--FEEL+ EXP]I5C$ BY ! >TI/4 ,LATT]LY1 9 UPP]-CLASS >T1 MO/ ( ! OBJECTS GIV5 \T AS BE+ WORKS ( >T >E ( ! K9D :I* ONLY RESEMBLE >T1 & >E DEVOID ( ITS ESS5TIAL QUALITY--FEEL+ EXP]I5C$ BY ! >TI/4 ,&1 = ! DIV]SION ( ! RI*1 SU* OBJECTS >E CONT9UALLY BE+ PRODUC$ 9 5ORM\S QUANTITIES BY ! >TISANS ( >T4 ,MANY CONDITIONS MU/ BE FULFILL$ TO 5ABLE A MAN TO PRODUCE A REAL WORK ( >T4 ,IT IS NECESS>Y ?AT HE %\LD /& ON ! LEVEL ( ! HIT4 ,IT IS V]Y SELDOM ?AT ALL !SE CONDITIONS NECESS>Y TO ! PRODUCTION ( TRUE >T >E COMB9$4 ,BUT 9 ORD]--AID$ BY ! CU/OM>Y ME?ODS ( BORR[+1 IMITAT+1 9TRODUC+ EFFECTS1 & 9T]E/+--UNCEAS+LY TO PRODUCE C\NT]FEITS ( >T :I* PASS = >T 9 \R SOCIETY & >E WELL PAID =1 IT IS ONLY NECESS>Y TO HAVE A TAL5T = SOME BRAN* ( >T2 & ?IS IS V]Y (T5 TO BE MET )4 ,BY TAL5T ,I MEAN ABILITY3 9 LIT]>Y >T1 ! ABILITY TO EXPRESS ONE'S ?\ACT]I/IC DETAILS2 9 ! DEPICTIVE >TS1 TO DI/+UI% & REMEMB] L9ES1 =MS1 & COLORS2 9 MUSIC1 TO DI/+UI% ! 9T]VALS1 & TO REMEMB] & TRANSMIT ! SEQU5CE ( S\NDS4 ,& A MAN1 9 \R TIMES1 IF ONLY HE POSSESSES SU* A TAL5T & SELECTS SOME SPECIALTY1 MAY1 AFT] LE>N+ ! ME?ODS ( C\NT]FEIT+ US$ 9 HIS BRAN* ( >T1--IF HE HAS PATI5CE & IF HIS AES!TIC FEEL+ 7:I* W\LD R5D] SU* PRODUCTIONS REVOLT+ TO HIM7 BE ATROPHI$1--UNCEAS+LY1 TILL ! 5D ( HIS LIFE1 TURN \T WORKS :I* WILL PASS = >T 9 \R SOCIETY4 ,TO PRODUCE SU* C\NT]FEITS1 DEF9ITE RULES OR RECIPES EXI/ 9 EA* BRAN* ( >T4 ,SO ?AT ! TAL5T$ MAN1 #a#a#eHAV+ ASSIMILAT$ !M1 MAY PRODUCE SU* WORKS A FROID1 COLD DRAWN1 )\T ANY FEEL+4 ,9 ORD] TO WRITE POEMS A MAN ( LIT]>Y TAL5T NE$S ONLY !SE QUALIFICATIONS3 TO ACQUIRE ! KNACK1 CON=MABLY ) ! REQUIREM5TS ( RHYME & RHY?M1 ( US+1 9/EAD ( ! ONE REALLY SUITABLE WORD1 T5 O!RS MEAN+ APPROXIMATELY ! SAME2 TO LE>N H[ TO TAKE ANY PHRASE :I*1 TO BE CLE>1 HAS BUT ONE NATURAL ORD] ( WORDS1 & DESPITE ALL POSSIBLE DISLOCATIONS /ILL TO RETA9 SOME S5SE 9 IT2 & LA/LY1 TO BE ABLE1 GUID$ BY ! WORDS REQUIR$ = ! RHYMES1 TO DEVISE SOME SEMBLANCE ( ?\Y TAL5T WI%ES TO WRITE A /ORY OR NOVEL1 HE NE$ ONLY =M HIS /YLE--I4E4 LE>N H[ TO DESCRIBE ALL ?AT HE SEES--& ACCU/OM HIMSELF TO REMEMB] OR NOTE D[N DETAILS4 ,:5 HE HAS ACCU/OM$ HIMSELF TO ?IS1 HE CAN1 ACCORD+ TO HIS 9CL9ATION OR ! DEM&1 UNCEAS+LY PRODUCE NOVELS OR /ORIES--HI/ORICAL1 NATURALI/IC1 SOCIAL1 ]OTIC1 PSY*OLOGICAL1 OR EV5 RELIGI\S1 = :I* LATT] K9D A DEM& & FA%ION BEG9S TO %[ ITSELF4 ,HE CAN TAKE SUBJECTS FROM BOOKS OR FROM ! EV5TS ( LIFE1 & CAN COPY ! *>ACT]S ( ! PEOPLE 9 HIS BOOK FROM HIS ACQUA9TANCES4 ,& SU* NOVELS & /ORIES1 IF ONLY !Y >E DECK$ \T ) WELL OBS]V$ & C>EFULLY NOT$ DETAILS1 PREF]ABLY ]OTIC ONES1 WILL BE CONSID]$ WORKS ( >T1 EV5 ?\< !Y MAY NOT CONTA9 A SP>K ( FEEL+ EXP]I5C$4 ,TO PRODUCE >T 9 DRAMATIC =M1 A TAL5T$ MAN1 9 ADDITION TO ALL ?AT IS REQUIR$ = NOVELS & /ORIES1 MU/ ALSO LE>N TO FURNI% HIS *>ACT]S ) AS MANY SM>T & WITTY S5T5CES AS POSSIBLE1 MU/ KN[ H[ TO UTILIZE !ATRICAL EFFECTS1 & H[ TO 5TW9E ! ACTION ( HIS #a#a#f*>ACT]S SO ?AT !RE %\LD NOT BE ANY LONG CONV]SATIONS1 BUT AS MU* BU/LE & MOVEM5T ON ! /AGE AS POSSIBLE4 ,IF ! WRIT] IS ABLE TO DO ?IS1 HE MAY PRODUCE DRAMATIC WORKS ONE AFT] ANO!R )\T /OPP+1 SELECT+ HIS SUBJECTS FROM ! REPORTS ( ! LAW C\RTS1 OR FROM ! LATE/ SOCIETY TOPIC1 SU* AS HYPNOTISM1 H]$ITY1 ETC41 OR FROM DEEP ANTIQUITY1 OR EV5 FROM ! REALMS ( FANCY4 ,9 ! SPH]E ( PA9T+ & SCULPTURE IT IS /ILL EASI] = ! TAL5T$ MAN TO PRODUCE IMITATIONS ( >T4 ,HE NE$ ONLY LE>N TO DRAW1 PA9T1 & MODEL--ESPECIALLY NAK$ BODIES4 ,?US EQUIPP$ HE CAN CONT9UE TO PA9T PICTURES1 OR MODEL /ATUES1 ONE AFT] ANO!R1 *OOS+ SUBJECTS ACCORD+ TO HIS B5T--MY?OLOGICAL1 OR RELIGI\S1 OR FANTA/IC1 OR SYMBOLICAL2 OR HE MAY DEPICT :AT IS WRITT5 AB\T 9 ! PAP]S--A CORONATION1 A /RIKE1 ! ,TURKO-,GRECIAN W>1 FAM9E SC5ES2 OR1 COMMONE/ ( ALL1 HE MAY JU/ COPY ANY?+ HE ?9KS BEAUTIFUL--FROM NAK$ WOM5 TO COPP] BAS9S4 ,= ! PRODUCTION ( MUSICAL >T ! TAL5T$ MAN NE$S /ILL LESS ( :AT CON/ITUTES ! ESS5CE ( >T1 I4E4 FEEL+ :]E) TO 9FECT O!RS2 BUT1 ON ! O!R H&1 HE REQUIRES MORE PHYSICAL1 GYMNA/IC LABOR ?AN = ANY O!R >T1 UNLESS IT BE DANC+4 ,TO PRODUCE WORKS ( MUSICAL >T1 HE MU/ FIR/ LE>N TO MOVE HIS F+]S ON SOME 9/RUM5T AS RAPIDLY AS ?OSE :O HAVE REA*$ ! HIE CALL$ C\NT]PO9T & FUGUE2 & FUR!RMORE1 HE MU/ LE>N OR*E/RATION1 I4E4 H[ TO UTILIZE ! EFFECTS ( ! 9/RUM5TS4 ,BUT ONCE HE HAS LE>N$ ALL ?IS1 ! COMPOS] MAY UNCEAS+LY PRODUCE ONE WORK AFT] ANO!R2 :E!R PROGRAM-MUSIC1 OP]A1 OR SONG 7DEVIS+ S\NDS MORE OR LESS CORRESPOND+ TO ! WORDS71 OR *AMB] MUSIC1 I4E4 HE MAY TAKE ANO!R MAN'S !MES & WORK !M UP 9TO DEF9ITE =MS BY MEANS ( C\NT]PO9T & FUGUE2 OR1 :AT IS COMMONE/ ( ALL1 HE #a#a#gMAY COMPOSE FANTA/IC MUSIC1 I4E4 HE MAY TAKE A CONJUNCTION ( S\NDS :I* HAPP5S TO COME TO H&1 & PILE EV]Y SORT ( COMPLICATION & ORNAM5TATION ON TO ?IS *ANCE COMB9ATION4 ,?US1 9 ALL REALMS ( >T1 C\NT]FEITS ( >T >E MANUFACTUR$ TO A READY-MADE1 PRE>RANG$ RECIPE1 & !SE C\NT]FEITS ! PUBLIC ( \R UPP] CLASSES ACCEPT = REAL >T4 ,& ?IS SUB/ITUTION ( C\NT]FEITS = REAL WORKS ( >T WAS ! ?IRD & MO/ IMPORTANT CONSEQU5CE ( ! SEP>ATION ( ! >T ( ! UPP] CLASSES FROM UNIV]SAL >T4 ,FROM 3 ,GUT5B]G4ORG4 ,*RONOLOGY 3 ,NOVEMB] #c1 #ahif 3 ,*APT] #aa -- ,PUBLICATION4 FILE G5]AT$ FROM 3 HTTP3_/_/REVOLTLIB4COM_/