,P>T #b1 ,*APT] #b 
,! ,REV]SAL ( ,P]SPECTIVE3 ,CREATIVITY1 ,SPONTANEITY1 & ,POETRY 

#aifeaife 

,PEOPLE 3 

,AU?OR 3 ,RA\L ,VANEIGEM 

,TEXT 3 

,*APT] #b4 ,CREATIVITY1 ,SPONTANEITY1 & ,POETRY 

  

,HUMAN BE+S >E 9 A /ATE ( CREATIVITY TW5TY-F\R H\RS A DAY4 ,ONCE REVEAL$1 ! S*EM+ USE ( FRE$OM BY ! ME*ANISMS ( DOM9ATION PRODUCES A BACKLA% 9 ! =M ( AN IDEA ( AU!NTIC FRE$OM 9SEP>ABLY B\ND UP ) 9DIVIDUAL CREATIVITY4 ,! PASSION TO CREATE :I* ISSUES FROM ! CONSCI\SNESS ( CON/RA9T CAN NO LONG] BE PRESS$ 9TO ! S]VICE ( PRODUCTION1 CONSUMPTION OR ORGANIZATION4 7#a74 ,SPONTANEITY IS ! MODE ( EXI/5CE ( CREATIVITY2 NOT AN ISOLAT$ /ATE1 BUT ! UNM$IAT$ EXP]I5CE ( SUBJECTIVITY4 ,SPONTANEITY CONCRETIZES ! PASSION = CREATION & IS ! FIR/ MOM5T ( ITS PRACTICAL REALIZATION3 ! PRECONDITION ( POETRY1 ( ! IMPULSE TO *ANGE ! WORLD 9 ACCORDANCE ) ! DEM&S ( RADICAL SUBJECTIVITY4 7#b74 ,! QUALITATIVE EXI/S :]EV] CREATIVE SPONTANEITY MANIFE/S ITSELF4 ,IT 5TAILS ! DIRECT COMMUNICATION ( ! ESS5TIAL4 ,IT IS POETRY'S *ANCE4 ,A CRY/ALLIZATION ( POSSIBILITIES1 A MULTIPLI] ( KN[L$GE & PRACTICAL POT5TIAL1 & ! PROP] MODIS OP]&I ( 9TELLIG5CE4 ,ITS CRIT]IA >E SUI G5]IS4 ,! QUALITATIVE LEAP PRECIPITATES A *A9 REACTION :I* IS TO BE SE5 9 ALL REVOLUTION>Y MOM5TS2 SU* A REACTION MU/ BE AWOK5 BY ! SC&AL ( FREE & TOTAL CREATIVITY4 7#c74 ,POETRY IS ! ORGANIZ] ( CREATIVE SPONTANEITY TO ! EXT5T ?AT IT RE9=CES SPONTANEITY'S HOLD ON REALITY4 ,POETRY IS AN ACT :I* 5G5D]S NEW REALITIES2 IT IS ! FULFILLM5T ( RADICAL !ORY1 ! REVOLUTION>Y ACT P> EXCELL5CE4 

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,9 ?IS FRACTUR$ WORLD1 :OSE COMMON D5OM9ATOR ?R\<\T HI/ORY HAS BE5 HI]>*ICAL SOCIAL P[]1 ONLY ONE FRE$OM HAS EV] BE5 TOL]AT$3 ! FRE$OM TO *ANGE ! NUM]ATOR1 ! FRE$OM TO PREF] ONE MA/] TO ANO!R4 ,FRE$OM ( *OICE SO UND]/OOD HAS 9CREAS+LY LO/ ITS ATTRACTION -- ESPECIALLY S9CE IT BECAME ! (FICIAL DOCTR9E ( ! WOR/ TOTALIT>IANISMS ( ! MOD]N WORLD1 ,EA/ & ,WE/4 ,! G5]ALIZATION ( ! REFUSAL TO MAKE SU* A ,HOBSON'S *OICE -- TO DO NO MORE ?AN *ANGE EMPLOY]S -- HAS 9 TURN OCCASION$ A RE/RUCTUR+ ( ,/ATE P[]4 ,ALL ! GOV]NM5TS ( ! 9DU/RIALIZ$ OR SEMI-9DU/RIALIZ$ WORLD N[ T5D TO MODEL !MSELVES -- AFT] A S+LE PROTOTYPE3 ! COMMON AIM IS TO RATIONALIZE1 TO 'AUTOMATE'1 ! OLD =MS ( DOM9ATION4 ,& H]E9 LIES FRE$OM'S FIR/ *ANCE4 ,! B\RGEOIS DEMOCRACIES HAVE CLE>LY %[N ?AT 9DIVIDUAL FRE$OMS CAN BE TOL]AT$ ONLY 9S(> AS !Y 5TR5* UPON & DE/ROY ONE ANO!R2 N[ ?AT ?IS IS CLE>1 IT HAS BECOME IMPOSSIBLE = ANY GOV]NM5T1 NO MATT] H[ SOPHI/ICAT$1 TO WAVE ! MULETA ( FRE$OM )\T EV]YONE DISC]N+ ! SWORD CONCEAL$ BEH9D IT4 ,9 FACT ! CON/ANT EVOCATION ( FRE$OM M]ELY 9CITES FRE$OM TO R$ISCOV] ITS ROOTS 9 9DIVIDUAL CREATIVITY1 TO BREAK \T ( ITS (FICIAL DEF9ITION AS ! P]MITT$ ! LICIT1 ! TOL]ABLE -- TO %ATT] ! B5EVOL5CE ( DESPOTISM4 

,FRE$OM'S SECOND *ANCE COMES ONCE IT HAS RETRIEV$ ITS CREATIVE AU!NTICITY1 & IS TI$ UP ) ! V]Y ME*ANISMS ( ,P[]4 ,IT IS OBVI\S ?AT AB/RACT SY/EMS ( EXPLOITATION & DOM9ATION >E HUMAN CREATIONS1 BR\<T 9TO BE+ & REF9$ ?R\< ! DIV]SION OR CO-OPTATION ( CREATIVITY4 ,! ONLY =MS ( CREATIVITY ?AT AU?ORITY CAN DEAL )1 OR WI%$ TO DEAL )1 >E ?OSE :I* ! SPECTACLE CAN RECUP]ATE4 ,BUT :AT PEOPLE DO (FICIALLY IS NO?+ COMP>$ ) :AT !Y DO 9 SECRET4 ,PEOPLE USUALLY ASSOCIATE CREATIVITY ) WORKS ( >T1 BUT :AT >E WORKS ( >T ALONGSIDE ! CREATIVE 5]GY DISPLAY$ BY EV]YONE A ?\S& TIMES A DAY3 SEE?+ UNSATISFI$ DESIRES1 DAYDREAMS 9 SE>* ( A FOO?OLD 9 REALITY1 FEEL+S AT ONCE CONFUS$ & LUM9\SLY CLE>1 IDEAS & GE/URES PRESAG+ NAMELESS UPHEAVALS4 ,ALL ?IS 5]GY1 ( C\RSE1 IS RELEGAT$ TO ANONYMITY & DEPRIV$ ( ADEQUATE MEANS ( EXPRESSION1 IMPRISON$ BY SURVIVAL & OBLIG$ TO F9D \TLETS BY SACRIFIC+ ITS QUALITATIVE RI*NESS & CON=M+ TO ! SPECTACLE'S CATEGORIES4 ,?9K ( ,*EVAL'S PALACE1 ! ,WATTS ,T[]S1 ,F\RI]'S 9SPIR$ SY/EM1 OR ! PICTORIAL UNIV]SE ( ,D\ANI] ,R\SSEAU4 ,EV5 MORE TO ! PO9T1 CONSID] ! 9CR$IBLE DIV]SITY ( ANYONE'S DREAMS -- L&SCAPES ! BRILLIANCE ( :OSE COLORS QUALITATIVELY SURPASS ! F9E/ CANVASES ( A ,VAN ,GO<4 ,EV]Y 9DIVIDUAL IS CON/ANTLY BUILD+ AN IDEAL WORLD )9 !MSELVES1 EV5 AS !IR EXT]NAL MOTIONS B5D TO ! REQUIREM5TS ( S\LLESS R\T9E4 

,NOBODY1 NO MATT] H[ ALI5AT$1 IS )\T 7OR UNAW>E (7 AN IRR$UCIBLE CORE ( CREATIVITY1 A CAM]A OBSCURA SAFE FROM 9TRUSION FROM LIES & CON/RA9TS4 ,IF EV] SOCIAL ORGANIZATION EXT5DS ITS CONTROL TO ?IS /RON<OLD ( HUMANITY1 ITS DOM9ATION WILL NO LONG] BE EX]CIS$ OV] ANY?+ SAVE ROBOTS1 OR CORPSES4 ,&1 9 A S5SE1 ?IS IS :Y CONSCI\SNESS ( CREATIVE 5]GY 9CREASES1 P>ADOXICALLY 5\<1 AS A FUNCTION ( CONSUM] SOCIETY'S EF=TS TO CO-OPT IT4 

,>GUS IS BL9D TO ! DANG] RI<T 9 FRONT ( HIM4 ,:]E QUANTITY REIGNS1 QUALITY HAS NO LEGAL EXI/5CE2 BUT ?IS IS ! V]Y ?+ ?AT SAFEGU>DS & N\RI%ES IT4 ,I HAVE ALREADY M5TION$ ! FACT ?AT ! DISSATISFACTION BR$ BY ! MANIC PURSUIT ( QUANTITY CALLS =? A RADICAL DESIRE = ! QUALITATIVE4 ,! MORE OPPRESSION IS JU/IFI$ 9 T]MS ( ! FRE$OM TO CONSUME1 ! MORE ! MALAISE >IS+ FROM ?IS CONTRADICTION EXAC]BATES ! ?IR/ = TOTAL FRE$OM4 ,! CRISIS ( PRODUCTION-BAS$ CAPITALISM PO9T$ UP ! ELEM5T ( REPRESS$ CREATIVITY 9 ! 5]GY EXP5D$ BY ! WORK]1 & ,M>X GAVE US ! DEF9ITIVE EXPOSE ( ?IS ALI5ATION ( CREATIVITY ?R\< =C$ LABOR1 ?R\< ! EXPLOITATION ( ! PRODUC]4 ,:ATEV] ! CAPITALI/ SY/EM & ITS AVAT>S 7!IR ANTAGONISMS NOT)/&+7 LOSE ON ! PRODUCTION FRONT !Y TRY TO MAKE UP = 9 ! SPH]E ( CONSUMPTION4 ,! IDEA IS ?AT1 AS !Y GRADUALLY FREE !MSELVES FROM ! IMP]ATIVES ( PRODUCTION1 PEOPLE %\LD BE TRAPP$ BY ! NEW] OBLIGATIONS ( ! CONSUM]4 ,BY OP5+ UP ! WA/EL& ( 'LEISURE' TO A CREATIVITY LIB]AT$ AT LONG LA/ ?ANKS TO R$UC$ WORK+ H\RS1 \R K9DLY APO/LES ( HUMANISM >E REALLY ONLY RAIS+ AN >MY SUITABLE = TRA9+ ON ! P>ADE GR\ND ( A CONSUMPTION- BAS$ ECONOMY4 ,N[ ?AT ! ALI5ATION ( ! CONSUM] IS BE+ EXPOS$ BY ! DIALECTIC 9T]NAL TO CONSUMPTION ITSELF1 :AT K9D ( PRISON CAN BE DEVIS$ = ! HI<LY SUBV]SIVE =CES ( 9DIVIDUAL CREATIVITY8 ,AS ,I HAVE ALREADY PO9T$ \T1 ! RUL]S' LA/ *ANCE H]E IS TO TURN US ALL 9TO ORGANIZ]S ( \R [N PASSIVITY4 

,) T\*+ C&OR1 ,DEWITT ,PET]S REM>KS ?AT1 0,IF PA9TS1 BRU%ES & CANVAS W]E H&$ \T TO EV]YONE :O WANT$ !M1 ! RESULTS MI<T BE QUITE 9T]E/+04 ,IT IS TRUE ?AT IF ?IS POLICY W]E APPLI$ 9 A V>IETY ( WELL-DEF9$ & WELL-POLIC$ SPH]ES1 SU* AS ! !AT]1 ! PLA/IC >TS1 MUSIC1 WRIT+1 ETC41 & 9 A G5]AL WAY TO ANY SU* SPH]E SUSCEPTIBLE ( TOTAL ISOLATION FROM ALL ! O!RS1 !N ! SY/EM MI<T HAVE A HOPE ( 5D[+ PEOPLE ) ! CONSCI\SNESS ( ! >TI/1 IE41 ! CONSCI\SNESS ( SOMEONE :O MAKES A PR(ESSION ( DISPLAY+ !IR CREATIVITY 9 ! MUSEUMS & %OPW9D[S ( CULTURE4 ,! POPUL>ITY ( SU* A CULTURE W\LD BE A P]FECT 9DEX ( ,P[]'S SUCCESS4 ,=TUNATELY ! *ANCES ( PEOPLE BE+ SUCCESSFULLY 'CULTURIZ$' 9 ?IS WAY >E N[ SLI<T4 ,DO !Y REALLY IMAG9E ?AT PEOPLE CAN BE P]SUAD$ TO 5GAGE 9 FREE EXP]IM5T )9 B\NDS LAID D[N BY AU?ORIT>IAN DECREE8 ,O,R ?AT PRISON]S :O HAVE BECOME AW>E ( !IR CREATIVE CAPACITY WILL BE CONT5T TO DECORATE !IR CELLS ) ORIG9AL GRAFFITI8 ,!Y >E MORE LIKELY TO APPLY !IR NEWF\ND P5*ANT = EXP]IM5T 9 O!R SPH]ES3 FIRE>MS1 DESIRES1 DREAMS1 SELF- REALIZATION TE*NIQUES4 ,ESPECIALLY S9CE ! CR[D IS ALREADY FULL ( AGITATORS4 ,NO3 ! LA/ POSSIBLE WAY ( COOPT+ CREATIVITY1 :I* IS ! ORGANIZATION ( >TI/IC PASSIVITY1 IS HAPPILY DOOM$ TO FAILURE4 

0,:AT ,I AM TRY+ TO REA*01 WROTE ,PAUL ,KLEE1 0IS A F>-(F PO9T1 AT ! S\RCES ( CREATION1 :]E ,I SUSPECT A S+LE EXPLANATORY PR9CIPLE APPLIES = PEOPLE1 ANIMALS1 PLANTS1 FIRE1 WAT]1 AIR & ALL ! =CES ?AT SURR\ND US04 ,AS A MATT] ( FACT1 ?IS PO9T IS ONLY F> (F 9 ,P[]'S LY+ P]SPECTIVE3 ! S\RCE ( ALL CREATION LIES 9 9DIVIDUAL CREATIVITY2 IT IS FROM ?IS />T+ PO9T ?AT EV]Y?+1 BE+ OR ?+1 IS ORD]$ 9 ACCORDANCE ) POETRY'S GR& FRE$OM4 ,?IS IS ! TAKE-(F PO9T ( ! NEW P]SPECTIVE3 ?AT P]SPECTIVE = :I* EV]YONE IS /RUGGL+ WILLY-NILLY ) ALL !IR /R5G? & AT EV]Y MOM5T ( !IR EXI/5CE4 0,SUBJECTIVITY IS ! ONLY TRU?0 7,KI]KEGA>D74 

,P[] CANNOT 5LI/ TRUE CREATIVITY4 ,9 #ahfi ! ,BRUSSELS POLICE ?\<T !Y HAD F\ND ! FAM\S GOLD ( ! ,9T]NATIONAL1 AB\T :I* ! CAPITALI/S W]E LOS+ SO MU* SLEEP4 ,!Y SEIZ$ A HUGE /RONGBOX HIDD5 9 SOME D>K CORN]4 ,:5 !Y OP5$ IT1 H[EV]1 !Y F\ND ONLY COAL4 ,LITTLE DID ! POLICE KN[ ?AT ! PURE GOLD ( ! ,9T]NATIONAL W\LD ALWAYS TURN 9TO COAL IF T\*$ BY 5EMY H&S4 

,! LABORATORY ( 9DIVIDUAL CREATIVITY TRANSMUTES ! BASE/ METALS ( DAILY LIFE 9TO GOLD ?R\< A REVOLUTION>Y AL*EMY4 ,! PRIME OBJECTIVE IS TO DISSOLVE SLAVE CONSCI\SNESS1 CONSCI\SNESS ( IMPOT5CE1 BY RELEAS+ CREATIVITY'S MAGNETIC P[]2 IMPOT5CE IS MAGICALLY DISPELL$ AS CREATIVE 5]GY SURGES =?1 G5IUS S]5E 9 ITS SELF-ASSURANCE4 ,SO /]ILE ON ! PLANE ( ! RACE = PRE/IGE 9 ! ,SPECTACLE1 MEGALOMANIA IS AN IMPORTANT PHASE 9 ! /RUGGLE ( ! SELF AGA9/ ! COMB9$ =CES ( CONDITION+4 ,! CREATIVE SP>K1 :I* IS ! SP>K ( TRUE LIFE1 %9ES ALL ! MORE BRI<TLY 9 ! NI<T ( NIHILISM :I* AT PRES5T 5VELOPES US4 ,AS ! PROJECT ( A BETT] ORGANIZATION ( SURVIVAL ABORTS1 ! SP>KS WILL BECOME MORE & MORE NUM]\S & GRADUALLY COALESCE 9TO A S+LE LI<T1 ! PROMISE ( A NEW ORGANIZATION BAS$ ?IS TIME ON ! H>MONIZ+ ( 9DIVIDUAL WILLS4 ,HI/ORY IS LEAD+ US TO ! CROSSROADS :]E RADICAL SUBJECTIVITY IS DE/9$ TO 5C\NT] ! POSSIBILITY ( *ANG+ ! WORLD4 ,! CROSSROADS ( ! REV]SAL ( P]SPECTIVE4 

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,SPONTANEITY4 ,SPONTANEITY IS ! TRUE MODE ( BE+ ( 9DIVIDUAL CREATIVITY1 CREATIVITY'S 9ITIAL1 IMMACULATE =M1 UNPOLLUT$ AT ! S\RCE & AS YET UN?REAT5$ BY ! ME*ANISMS ( CO- OPTATION4 ,:]EAS CREATIVITY 9 ! BROAD S5SE IS ! MO/ EQUITABLY DI/RIBUT$ ?+ IMAG9ABLE1 SPONTANEITY SEEMS TO BE CONF9$ TO A *OS5 FEW4 ,ITS POSSESSION IS A PRIVILEGE ( ?OSE :OM LONG RESI/ANCE TO ,P[] HAS 5D[$ ) A CONSCI\SNESS ( !IR [N VALUE AS 9DIVIDUALS4 ,9 REVOLUTION>Y MOM5TS ?IS MEANS ! MAJORITY2 9 O!R P]IODS1 :5 ! OLD MOLE WORKS UNSE51 DAY BY DAY1 IT IS /ILL MORE PEOPLE ?AN ONE MI<T ?9K4 ,= SO LONG AS ! LI<T ( CREATIVITY CONT9UES TO %9E SPONTANEITY HAS A *ANCE4 

0,! NEW >TI/ PROTE/S01 WROTE ,TZ>A 9 #a#i#a#i4 0,HE NO LONG] PA9TS3 HE CREATES DIRECTLY40 ,! NEW >TI/S ( ! FUTURE1 CON/RUCTORS ( SITUATIONS TO BE LIV$1 WILL UND\BT$LY HAVE IMM$IACY AS !IR MO/ SUCC9CT -- ?\< ALSO !IR MO/ RADICAL -- DEM&4 ,I SAY 'SUCC9CT' BECAUSE IT IS IMPORTANT AFT] ALL NOT TO BE CONFUS$ BY ! CONNOTATIONS ( ! WORD 'SPONTANEITY'4 ,SPONTANEITY CAN NEV] SPR+ FROM 9T]NALIZ$ RE/RA9TS1 EV5 SUBCONSCI\S ONES1 NOR CAN IT SURVIVE ! EFFECTS ( ALI5AT+ AB/RACTION & SPECTACUL> CO-OPTATION3 IT IS A CONQUE/1 NOT A GIV54 ,! RECON/RUCTION ( ! 9DIVIDUAL PRESUPPOSES ! RECON/RUCTION ( ! UNCONSCI\S 7CF ! CON/RUCTION ( DREAMS74 

,:AT SPONTANE\S CREATIVITY HAS LACK$ UP TO N[ IS A CLE> CONSCI\SNESS ( ITS POETRY4 ,! COMMONS5SE VIEW HAS ALWAYS TREAT$ SPONTANEITY AS A PRIM>Y /ATE1 & 9ITIAL /AGE 9 NE$ ( !ORETICAL ADAPTATION1 ( TRANSPOSITION 9TO =MAL T]MS4 ,?IS VIEW ISOLATES SPONTANEITY1 TREATS IT AS A ?+-9-ITSELF -- & ?US RECOGNIZES IT ONLY 9 ! TRAVE/I$ =MS :I* IT ACQUIRES )9 ! SPECTACLE 7E4G4 ACTION PA9T+74 ,9 PO9T ( FACT1 SPONTANE\S CREATIVITY C>RIES ! SE$S ( A SELF- SUFFICI5T DEVELOPM5T )9 ITSELF4 ,IT IS POSSESS$ BY ITS [N POETRY4 

,= ME SPONTANEITY IS IMM$IATE EXP]I5CE1 CONSCI\SNESS ( A LIV$ IMM$IACY ?REAT5$ ON ALL SIDES YET NOT YET ALI5AT$1 NOT YET RELEGAT$ TO 9AU!NTICITY4 ,! C5T] ( LIV$ EXP]I5CE IS ?AT PLACE :]E EV]YONE COMES CLOSE/ TO !MSELF4 ,)9 ?IS UNIQUE SPACE-TIME WE HAVE ! CLE> CONVICTION ?AT REALITY EXEMPTS US FROM NECESSITY4 ,CONSCI\SNESS ( NECESSITY IS ALWAYS :AT ALI5ATES US4 ,WE HAVE BE5 TAU<T TO APPREH5D \RSELVES BY DEFAULT -- 9 ABS5TIA1 SO TO SPEAK4 ,BUT IT TAKES A S+LE MOM5T ( AW>5ESS ( REAL LIFE TO ELIM9ATE ALL ALIBIS1 & CONSIGN ! ABS5CE ( FUTURE TO ! SAME VOID AS ! ABS5CE ( PA/4 ,CONSCI\SNESS ( ! PRES5T H>MONIZES ) LIV$ EXP]I5CE 9 A SORT ( EXTEMPORIZATION4 ,! PLEASURE ?IS BR+S US -- IMPOV]I%$ BY ITS ISOLATION1 YET POT5TIALLY RI* BECAUSE IT REA*ES \T T[>DS AN ID5TICAL PLEASURE 9 O!R PEOPLE -- BE>S A /RIK+ RESEMBLANCE TO ! 5JOYM5T ( JAZZ4 ,AT ITS BE/1 IMPROVIZATION 9 EV]YDAY LIFE HAS MU* 9 COMMON ) JAZZ AS EVOK$ BY ,DAU]3 3,! ,AFRICAN CONCEPTION ( RHY?M DIFF]S FROM ! ,WE/]N 9 ?AT IT IS P]CEIV$ ?R\< BODILY MOVEM5T RA!R ?AN AURALLY4 ,! TE*NIQUE CONSI/S ESS5TIALLY 9 ! 9TRODUCTION ( DISCONT9UITY 9TO ! /ATIC BALANCE IMPOS$ UPON TIME BY RHY?M & MET]4 ,?IS DISCONT9UITY1 :I* RESULTS FROM ! EXI/5CE ( EC/ATIC C5T]S ( GRAVITY \T ( TIME ) ! MUSICAL RHY?M & MET] PROP]1 CREATES A CON/ANT T5SION BETWE5 ! /ATIC BEAT & ! EC/ATIC BEAT :I* IS SUP]IMPOS$ ON IT40 

,! 9/ANT ( CREATIVE SPONTANEITY IS ! M9UTE/ POSSIBLE MANIFE/ATION ( REV]SAL ( P]SPECTIVE4 ,IT IS A UNIT>Y MOM5T1 I4E41 ONE & MANY4 ,! ]UPTION ( LIV$ PLEASURE IS SU* ?AT 9 LOS+ MYSELF ,I F9D MYSELF2 =GETT+ ?AT ,I EXI/1 ,I REALIZE MYSELF4 ,CONSCI\SNESS ( IMM$IATE EXP]I5CE LIES 9 ?IS OSCILLATION1 9 ?IS IMPROVIZATIONAL JAZZ4 ,BY CONTRA/1 ?\<T DIRECT$ T[>D LIV$ EXP]I5CE ) ANALYTICAL 9T5T IS B\ND TO REMA9 DETA*$ FROM ?AT EXP]I5CE4 ,?IS APPLIES TO ALL REFLECTION ON EV]YDAY LIFE1 9CLUD+1 TO BE SURE1 ! PRES5T ONE4 ,TO COMBAT ?IS1 ALL ,I CAN DO IS TRY TO 9CORPORATE AN ELEM5T ( CON/ANT SELF-CRITICISM1 SO AS TO MAKE ! WORK ( CO-OPTATION A LITTLE H>D] ?AN USUAL4 ,! TRAVEL] :O IS ALWAYS ?9K+ AB\T ! L5G? ( ! ROAD BE=E !M TIRES MORE EASILY ?AN HIS OR H] COMPANION :O LETS !IR IMAG9ATION W&] AS !Y GO ALONG4 ,SIMIL>LY1 ANXI\S ATT5TION PAID TO LIV$ EXP]I5CE CAN ONLY IMP$E IT1 AB/RACT IT1 & MAKE IT 9TO NO?+ MORE ?AN A S]IES ( MEMORIES-TO-BE4 

,IF ?\<T IS REALLY TO F9D A BASIS 9 LIV$ EXP]I5CE1 IT HAS TO BE FREE4 ,! WAY TO A*IEVE ?IS IS TO ?9K O!R 9 T]MS ( ! SAME4 ,AS Y\ MAKE Y\RSELF1 IMAG9E ANO!R SELF :O WILL MAKE Y\ ONE DAY 9 HIS OR H] TURN4 ,SU* IS MY CONCEPTION ( SPONTANEITY3 ! HI<E/ POSSIBLE SELF-CONSCI\SNESS :I* IS /ILL 9SEP>ABLE FROM ! SELF & FROM ! WORLD4 

,ALL ! SAME1 ! PA?S ( SPONTANEITY >E H>D TO F9D4 ,9DU/RIAL CIVILIZATION HAS LET !M BECOME OV]GR[N4 ,& EV5 :5 WE F9D REAL LIFE1 KN[+ ! BE/ WAY TO GRASP IT IS NOT EASY4 ,9DIVIDUAL EXP]I5CE IS ALSO PREY TO 9SANITY -- A FOO?OLD = MADNESS4 ,KI]KEGA>D DESCRIB$ ?IS /ATE ( AFFAIRS AS FOLL[S3 0,IT IS TRUE ?AT ,I HAVE A LIFEBELT1 BUT ,I CANNOT SEE ! POLE :I* IS SUPPOS$ TO PULL ME \T ( ! WAT]4 ,?IS IS A <A/LY WAY TO EXP]I5CE ?+S04 ,! POLE IS !RE1 ( C\RSE1 & NO D\BT EV]YONE C\LD GRAB ONTO IT1 ?\< MANY W\LD BE SO SL[ AB\T IT ?AT !Y W\LD DIE ( ANXIETY BE=E REALIZ+ ITS EXI/5CE4 ,BUT EXI/ IT DOES1 & ITS NAME IS RADICAL SUBJECTIVITY3 ! CONSCI\SNESS ?AT ALL PEOPLE HAVE ! SAME WILL TO AU!NTIC SELF-REALIZATION1 & ?AT !IR SUBJECTIVITY IS /R5G!N$ BY ! P]CEPTION ( ?IS SUBJECTIVE WILL 9 O!RS4 ,?IS WAY ( GETT+ \T ( ONESELF & RADIAT+ \T1 NOT SO MU* T[>DS O!RS AS T[>DS ?AT P>T ( ONESELF ?AT IS TO BE F\ND 9 O!RS1 IS :AT GIVES CREATIVE SPONTANEITY ! /RATEGIC IMPORTANCE ( A LAUN*+ PAD4 ,! CONCEPTS & AB/RACTIONS :I* RULE US HAVE TO BE RETURN$ TO !IR S\RCE1 TO LIV$ EXP]I5CE1 NOT 9 ORD] TO VALIDATE !M1 BUT ON ! CONTR>Y TO CORRECT !M1 TO TURN !M ON !IR HEADS1 TO RE/ORE !M TO ?AT SPH]E :5CE !Y D]IVE & :I* !Y %\LD NEV] HAVE LEFT4 ,?IS IS A NECESS>Y PRECONDITION ( PEOPLE'S IMM95T REALIZATION ?AT !IR 9DIVIDUAL CREATIVITY IS 9DI/+UI%ABLE FROM UNIV]SAL CREATIVITY4 ,! SOLE AU?ORITY IS ONE'S [N LIV$ EXP]I5CE2 & ?IS EV]YONE MU/ PROVE TO EV]YONE ELSE4 

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