,! ,F9E ,>T ( ,CRITICISM 

,PEOPLE 3 

,AU?OR 3 ,CRIME?,9C4 

,TEXT 3 

,?OSE :O CAN1 WRITE2 ?OSE :O CAN'T1 WRITE REVIEWS4 ,WRIT+ REVIEWS IS ! SURE/ %ORTCUT TO A S5SATION ( P[] = ?OSE :O LACK ! D$ICATION NECESS>Y TO CREATE SOME?+ ( ACTUAL WOR?4 ,9 PASS+ JUDGM5T ON O!RS' WORK1 ! REVIEW] EXP]I5CES A FLEET+ HI< ( SELF-IMPORTANCE *EAP] ?AN ANY O!R4 

,=TUNATELY = ! NEXT G5]ATION ( HACKS1 AFT] SQU&]+ ! BE/ YE>S ( \R WRIT+ C>E]S COMPOS+ PURPLE PROSE = ! ?R[AWAY TABLOIDS ( YELL[ J\RNALISM1 WE'VE F9ALLY P]FECT$ ?IS MO/ ELUSIVE ( LIT]>Y =MS4 ,DECEPTIVELY SIMPLE & MUNDANE1 REVIEWS >E (T5 ASSUM$ TO BE EASY TO P52 9 FACT1 IT'S ALMO/ IMPOSSIBLE TO COMPOSE ONE WOR? READ+4 ,TO SAVE Y\ ! TR\BLE ( SUFF]+ ?R\< ?IS LE>N+ PROCESS Y\RSELF 7& Y\R POT5TIAL READ]S ! RISK ( SUFF]+ ALONG ) Y\71 WE PRES5T H]E A SUREFIRE FAILSAFE H&Y GUIDE TO ! MO/ RI<TLY UNAPPRECIAT$ LIT]>Y =M ( ! TW5TIE? C5TURY4 ,MIX Y\RSELF A /IFF METAPHOR1 CULTIVATE AN AIR ( SUP]CILI\S 9DIFF]5CE--A PR]EQUISITE = ANY REVIEW] WOR? ! SALT HE HOPES TO P\R 9 O!RS' W\NDS--& READ ON4 

,! ,COMP>ISON 

,?IS IS ! MO/ COMMON CONV5TION 9 ! REVIEW]'S REP]TOIRE1 & ! MO/ SWIFTLY1 ?\<TLESSLY TROTT$ \T4 ,IT COMES 9 ?REE BASIC V>IETIES3 

,A IS LIKE ,B3 0,ORWELL'S #aihd IS BASICALLY A REWRITE ( ,ZAMYAT9'S ,WE1 RI<T D[N TO ! USE ( PUNCTUATION M>KS40 0,LIKE ANY O!R B& ) GUIT>S1 BASS1 & DRUMS1 ,CANNIBAL ,CORPSE [ES EV]Y?+ TO ,*UCK ,B]RY40 

,A IS LIKE ,B "4 ,C3 0,! SEQUEL TO ,! ,MATRIX IS ! BA/>D *ILD ( ,N9T5DO VIDEO GAMES & ,M,T,V'S ',! ,DAILY ,GR9D4'0 0,DRAGON=CE S\NDS LIKE ,RI*>D ,M>X ) D\BLE BASS40 

,A IS LIKE ,B 7P]HAPS "4 ,C7 UND] EXT5UAT+ CONDITIONS3 !SE CAN 9CLUDE1 = EXAMPLE1 DRUGS--0,JACKSON ,POLLACK IS LIKE1 UH1 ,MATISSE ON S]I\S ME?AMPHETAM9ES0--VIOL5CE--0,BAUDRILL>D (F]S ! SORT ( 9SI<TS ,F\CAULT W\LD HAVE HIT UPON IF HE'D SUFF]$ SEV]E HEAD TRAUMA AT AN E>LY AGE0--EVOCATIVE LOCATIONS--0,IMAG9E ,TOL/OY'S ,W> & ,PEACE IF IT WAS SET 9 A ,SOVIET GULAG ACROSS ONLY ?REE DAYS2 !RE Y\ HAVE IT1 ,SOLZH5ITSYN'S ,! ,FIR/ ,CIRCLE0--OR1 = MAXIMUM CLI*E ACTION1 ALL ?REE3 0,MUPPET ,BURG]'S NEW ALBUM 0,FUZZY ,MASSACRE0 S\NDS LIKE ,SUN ,RA & ,S9EAD ,O',CONN]1 CRANK$ \T ( !IR M9DS ON C\< SYRUP & BANANA PEEL BLUNTS1 BEAT+ ! /UFF+ \T ( ,MORRISSEY 9 A D>K ALLEY :ILE HUMM+ ,LA ,M>SEILLES TO !MSELVES40 

,! ,FAWN+ ,ACCOLADE 

,A CRITIC %\LD NOT T5D] A POSITIVE REVIEW UNLESS HE BELIEVES HE /&S TO GA9 9 SOME WAY4 ,SOMETIMES DEMON/RAT+ ONE'S SUP]IORITY BY EXHIBIT+ PRESCI5T TA/E CAN BE AS GRATIFY+ AS ! MORE DIRECT APPROA* ( SIMPLY DECL>+ SOME?+ 9F]IOR4 ,( C\RSE1 ! P[] DYNAMICS %IFT AS SOON AS ! SPOTLI<T$ UP/>T GA9S A C]TA9 AM\NT ( ATT5TION3 !N1 GLORIFICATION ACCRUES TO ! >TI/ RA!R ?AN ! REVIEW]1 SO ONE MU/ RETURN TO SCORN & RIDICULE4 

,?+S >E NOT USUALLY EV5 ?IS COMPLEX3 A GUE/ LI/ & B> TAB BECKON1 A S5IOR $ITOR ?REAT5S1 ADV]TIS+ DOLL>S AWAIT1 ,PUBLIC ,OP9ION C\NSELS ?AT ?IS IS GO+ TO BE A ,HOT ,ITEM ?IS YE> & ?OSE :O FAIL TO GET ON BO>D DO SO AT !IR [N P]IL4 ,ONE MU/ GIVE POSITIVE REVIEWS TO SOME?+1 AFT] ALL1 & IT NEV] HURTS TO KILL TWO BIRDS ) ONE /ONE4 

,SOMETIMES IT DOES OCCUR ?AT A NEOPHYTE1 C>RI$ AWAY BY ACTUAL PASSION UNBECOM+ ( ! S]I\S J\RNALI/1 EXPRESSES HONE/ APPRECIATION4 ,PLEASE1 RESI/ ?IS TEMPTATION4 ,WE'VE ALL GOT M\?S TO FE$ 9 ?IS BUS9ESS1 & A C]TA9 PR(ESSIONAL /&>D ( RE/RA9T & OBJECTIVITY IS ONLY COMMON S5SE4 

,! ,9T]PRETATION 

,! CRITIC DOES WELL TO CA/ HIMSELF AS ! >TI/'S 9T]PRET]1 A MOD]N-DAY SUCCESSOR ( ! PRIE/S :O EXPLICAT$ ! DRUGG$ RAV+S ( ! ,ORACLE ( ,DELPHI4 ,?IS RELATION%IP PLACES ! CRITIC 9 ! MORE ESS5TIAL ROLE3 ANY DAMN FOOL CAN GET HOOK$ ON H]O9 & PUT A FEW *ORDS TOGE!R1 BUT IT TAKES A ,GREIL ,M>CUS TO CON/RUCT MEAN+ \T ( ! RESULT+ CACOPHONY & GO ON TO TRACE ITS L9EAGE TO ! ,ANABAPTI/S4 ,>TI/S >E IDIOT SAVANTS :O A*IEVE GREATNESS BY UNH++ !MSELVES1 AS ,RIMBAUD HIMSELF 9SI/$--?AT'S :Y ! BE/ ( !M DIE Y\NG2 DOES IT MAKE S5SE TO ALL[ SU* PEOPLE TO SPEAK = !MSELVES8 ,BESIDES1 AS A DANC]1 ASK$ BY A J\RNALI/ TO SPEAK AB\T H] NEWE/ WORK1 ONCE REJO9$1 0,IF ,I C\LD TELL Y\ AB\T IT1 ,I W\LDN'T HAVE TO DANCE IT40 

,= BE/ RESULTS1 SELECT ! MO/ 9COH]5T & OPAQUE >TWORK1 REW>D+ >TI/S & MOVEM5TS ?AT PRODUCE ?IS ) POSITIVE COV]AGE4 ,IDEALLY1 ! PUBLIC1 KN[+ !MSELVES UNQUALIFI$ TO DO1 FEEL1 OR ?9K ANY?+ ON !IR [N1 %\LD BYPASS ! >TWORK COMPLETELY1 COM+ DIRECTLY TO ! CRITICS4 ,IT GOES )\T SAY+ ?AT ANY CREATIVE P]SON :O MAKES CONCRETE /ATEM5TS--! MUSICIAN :O SPEAKS BETWE5 SONGS1 ! POET :O D>ES WRITE AB\T A CURR5T W>--%\LD BE DECISIVELY IGNOR$1 OR AT LEA/ DISMISS$ AS SUP]FICIAL4 ,?IS POLICY WORK$ FABUL\SLY = >T CRITICS ?R\<\T ! TW5TIE? C5TURY1 & 9DE$ MAY EXPLA9 ! EVOLUTION>Y TRAJECTORY ( ,WE/]N >T ACROSS ?AT ]A--NOT TO M5TION REC5T DEVELOPM5TS 9 ! PUNK ROCK SC5E4 

,! ,P]SONAL ,ANECDOTE 

,:5 A REVIEW] FEELS ! IT* TO HOLD =? AB\T HIS [N EXT5SIVE EXP]I5CE AS A WIDELY TRAVEL$ CITIZ5 ( ! WORLD1 HE NE$ NOT /ICK TO ! MATT] AT H&4 ,MANY A FRU/RAT$ TRAVEL WRIT]1 PHILOSOPH]1 RELIGI\S MY/IC1 & MISAN?ROPE HAS F\ND A LA/+ C>E] AS A REVIEW]--NOT LEA/ BECAUSE IT IS ONE ( ! FEW WRIT+ JOBS 9 :I* IT IS NOT IMPORTANT ?AT ANYONE ACTUALLY READ Y\R WORK4 

,HE>SAY & ,SPECULATION 

,REVIEW]S HAVE TO WORRY AB\T !IR FACTS BE+ *ECK$ AB\T AS MU* AS F$]AL AG5TS AT A BAIL HE>+4 ,ANY OLD ?+ Y\ HE>D OR MI<T HAVE HE>D IS FAIR GAME4 ,IT'S Y\R JOB TO KEEP ?+S 9T]E/+1 SO DON'T HESITATE TO SPICE UP Y\R REVIEW ) A LITTLE SC&AL\S GOSSIP3 ,I US$ TO BE A C>D-C>RY+ MEMB] ( ,! ,AN>*I/ ,MOVEM5T1 UNTIL ,I HE>D ,BAKUN9 WAS ACTUALLY A PAID AG5T ( ! ,CZ>4 

,! ,/REAM ( ,9VECTIVE 

,?IS CAN RANGE FROM A SIMPLE 9SULT 7REG>D+ ,JACK ,K]\AC'S CLAIM ?AT HE WROTE ,ON ! ,ROAD 9 A MATT] ( DAYS1 ,TRUMAN ,CAPOTE QUIPP$1 0,?AT'S NOT WRIT+1 ?AT'S TYP+07 TO A V]ITABLE TORR5T ( ABUSE--:I*1 9 SOME CASES1 MAY BE WELL DES]V$3 

,IMAG9E ,DEF ,LEPP>D IF ,WESLEY ,WILLIS WAS ! PR9CIPLE SONGWRIT] & !IR VOCALI/ S\ND$ LIKE A *>ACT] FROM ,! ,FL9T/ONES4 ,N[ IMAG9E :ATEV] Y\ JU/ IMAG9$1 ONLY WORSE4 ,!RE Y\ HAVE IT1 ! DEBUT FROM ,&REW ,W,K1 0,I ,GET ,WET40 ,?IS MAKES ! /UFF !Y PLAY OV] ! PUBLIC ADDRESS SY/EMS AT PR(ESSIONAL FOOTBALL GAMES SEEM BOOKI% & HI<BR[4 ,! LYRICS >E PA?OLOGICALLY TAUTOLOGICAL 70Y\ CAN'T /OP :AT Y\ CAN'T 5D071 ! RIFFS S\ND LIKE *EAP RADIO ADV]TIS+ J+LES ) SOME ( ! NOTES PLAY$ WRONG1 ! 5D ( EV]Y SONG S\NDS LIKE A TELEVISION BE+ SWIT*$ (F4 ,= ?AT MATT]1 ! BEG9N+ ( EV]Y SONG S\NDS LIKE A TELEVISION BE+ SWIT*$ ON6 ,MY FRI5D ,GABE SAYS ?IS MAKES HIM FEEL LIKE HE'S AT A KEG P>TY AT A FRAT H\SE1 BUT !RE >E NO WOM5 !RE1 JU/ DRUNK1 BELLIG]5T JOCKS & BRA9-DAMAG$ FOOTBALL PLAY]S WRE/L+ ! FURNITURE & %\T+ EA* O!R D[N AB\T ! /OCK M>KET4 ,MYSELF1 ,I CAN'T HELP BUT IMAG9E ?IS BL>+ OV] ! SPEAK]S 9 ! P]SONNEL BAY ( AN >MY HELICOPT] AS ,G,IS >E AIRLIFT$ 9TO AN ,IRAQI VILLAGE TO SLAU<T] MO!RS & *ILDR5--& AS IF 9 ANTICIPATION ( ?IS1 ,&REW HAS RECORD$ A TRACK 9 :I* HE S+S OV] & OV] 0,Y\ BETT] GET READY TO KILL1 GET READY TO DIE40 ,EV5 IF Y\ DIDN'T HAVE S]I\S D\BTS AB\T ! FUTURE ( ,WE/]N CIVILIZATION BE=E Y\ HE>D ?IS RELEASE1 ONE LI/5 WILL MAKE Y\ A REVOLUTION>Y 9 ! TRADITION ( ! ,DADAI/S & ,SITUATIONI/S :O SET \T TO PUT AN 5D TO >T ITSELF--?AT IS1 IF IT DOESN'T R$UCE Y\ TO UTT] NIHILISM4 

,ABSURD ,ALLEGATIONS 

,:5 IT'S NOT POSSIBLE TO UNLEA% A WELL-F\ND$ ,/REAM ( ,9VECTIVE1 BUT ! REVIEW] /ILL DESIRES TO MA9TA9 ! READ]S' ATT5TION1 HE MU/ FALL BACK UPON :AT PHILOSOPH]S CALL ! /RAW MAN >GUM5T3 HE MU/ CONCOCT ! MO/ RIDICUL\S MAKE-BELIEVE V]SION ( ! SUBJECT ( ! REVIEW HE POSSIBLY CAN1 & DISPLAY HIS GREAT /R5G? & PR[ESS BY PA9/AK+LY TE>+ IT AP>T4 

,9 IDEOLOGICAL CIRCLES--9CLUD+ C]TA9 AN>*I/ CAMPS1 /RANGE TO TELL1 :]E SO MU* TALK ( SOLID>ITY W\LD LEAD ONE TO EXPECT CON/RUCTIVE CRITICISM TO BE ! ORD] ( ! DAY--?IS APPROA* IS EV5 MORE COMMON ?AN ! ,COMP>ISON4 ,?OSE :O BELIEVE--(T5 CORRECTLY--?AT !IR IDEAS CAN ONLY BE ( 9T]E/ IF ALL O!R IDEAS >E 5TIRELY BANKRUPT MU/ REMA9 EV] VIGILANT1 READY TO P\NCE UPON & DISCR$IT O!R ?9K]S BY ANY MEANS NECESS>Y4 

,! ,IRRELEVANT ,DIGRESSION 

,! DIGRESSION COMES 9 TWO =MS4 ,9 ! MORE COMMON =M1 IT IS A SORT ( V]BAL SMOK+ BREAK 9 :I* ! WRIT] GETS UP FROM HIS DESK1 TAKES A BREA?1 & /RET*ES HIS LEGS1 ALL )\T CEAS+ TO ADDRESS ! READ]4 ,REVIEW]S :O WI% TO CURRY FAVOR ) DISCRIM9AT+ READ]S %\LD ?R[ 9 AS MANY ( !SE AS POSSIBLE3 ! LESS ATT5TION !Y PAY TO ! SUBJECT ( ! REVIEW1 ! MORE BE>ABLE !IR WRIT+ IS B\ND TO BE4 

,ALT]NATELY1 ! DIGRESSION CAN BE AN UND]H&$ WAY TO SLIP 9 ,ABSURD ,ALLEGATIONS1 :5 !RE IS NO MORE /RAI<T=W>D PRETEXT = 9TRODUC+ !M4 ,= EXAMPLE1 9 ! MID/ ( A REVIEW ( ! ?OR\<LY UTILIT>IAN ,RECIPES = ,DISA/]3 ,AN ,AN>*I/ ,COOKBOOK1 :I* IS SIMPLY A COLLECTION ( DIRECT ACTION TACTICS1 ! ,AN>*Y ,MAGAZ9E REVIEW] CAN1 AS IF REMA9+ ON TOPIC1 /RAY 9TO SU* RAMBL+S AS3 

0,!IR 9T]PRETATION ( SOCIAL *ANGE SEEMS TO BE ?AT 'GOOD PEOPLE' CAN1 & %\LD1 BE AG5TS ( SOCIAL *ANGE4 ,! MAT]IAL CONDITIONS ( ?AT *ANGE1 ! HORRIBLE CONSEQU5CES ( 'BAD PEOPLE1' & ! HI/ORY ( SOCIAL *ANGE ?AT DOESN'T CON=M TO ! 'GOOD PEOPLE' MODEL >E ALL \TSIDE ! SCOPE ( ,CRIME?,9C4'S APPROA*4 ,IT IS AS IF !Y HAVE MADE A GOOD & RI<T *OICE & >5'T GO+ TO LET REALITY 9T]F]E ) IT40 

,SAMPLE ,EX]CISE 

,DA% (F A REVIEW ( ?IS ,H[-,TO ,GUIDE & SUBMIT IT TO LIBCOM4ORG4 ,:E!R Y\ COMPOSE A ,/REAM ( ,9VECTIVE1 AN ,ABSURD ,ALLEGATION1 OR AN ,IRRELEVANT ,DIGRESSION1 & REG>DLESS ( :E!R Y\ HAVE EV] UND]TAK5 TO WRITE A S+LE WORD BE=E 9 ! ,5GLI% LANGUAGE 7OR HAVE READ ANY ( ?IS TEXT BEYOND ?AN ?IS S5T5CE71 Y\R REVIEW IS B\ND TO BE MORE BALANC$ & 9=MATIVE ?AN ANY?+ ?AT W\LD APPE> ON ?AT SITE O!RWISE.<#a.>4 

,APP5DIX3 ,CON/RUCTIVE ,CRITICISM 

,FROM ,! ,DO-,IT-,Y\RSELF ,C,O,9,T,E,L,P,R,O ,H&BOOK3 

,9 ! 5D1 \R MO/ DANG]\S 5EMIES >E NOT ! SUBV]SIVE OP]ATIVES !MSELVES1 :O CAN BE ISOLAT$ & EXT]M9AT$ IF IT BECOMES NECESS>Y2 !Y >E1 RA!R1 ?OSE :O (F] CON/RUCTIVE CRITICISM ( !IR EF=TS1 = CON/RUCTIVE CRITICISM /R5G!NS REVOLUTION>Y 5DEAVORS & %>P5S 9SURG5T TACTICS4 ,=TUNATELY1 SU* CRITICISM CAN BE BURI$ B5EA? AN AVALAN*E ( HO/ILITY & IMP]T95CE4 

,MAKE EV]Y DISCUSSION 9TO A DEBATE ) TWO OPPOS$ SIDES1 PRO- & ANTI-4 ,?IS DI/RACTS ATT5TION FROM ! IDEAS & SUBJECTS 9 QUE/ION2 IT ALSO COMPELS ALL P>TIES TO 5TR5* !MSELVES 9 RIGID POSITIONS4 ,ALWAYS REF] TO Y\R OPPON5T'S IDEAS AS IF !Y CON/ITUTE A FIX$1 DISEMBODI$ IDEOLOGY2 ALWAYS ADDRESS Y\R OPPON5T AS IF HE IS AN AUTOMATON S]V+ ?IS IDEOLOGY1 NOT A COMPLEX BE+ ) A LIFE HI/ORY BEH9D HIM4 

,NEV] APPROA* 9VOLV$ P]SONS ) QUE/IONS2 ALWAYS TAKE Y\R CRITICISMS DIRECTLY TO ! PUBLIC4 ,DO NOT (F] ANY /RATEGY O!R ?AN Y\R [N ! B5EFIT ( ! D\BT4 ,FOCUS ON ! V]Y SIMPLE/1 /UPIDE/1 WEAKE/ PO9TS 9 ANY MAT]IAL2 EMPHASIZE !SE4 ,DISREG>D SUBTLETIES4 ,PICK A SIMPLE ACCUSATION & /ICK ) IT1 REPEAT+ IT OV] & OV] UNTIL EV]YONE IS SO F$ UP ?AT !Y LEAVE ! 5TIRE >5A ( DISCUSSION TO ESCAPE Y\R NEGATIVITY4 

,MAKE Y\R OBJECTIONS SIMPL] ?AN Y\R T>GET TEXT OR TACTIC2 IT MU/ BE EASI] TO BE AGA9/ IT ?AN IT IS TO UND]/& & 9T]PRET IT4 ,UNBLU%+LY JUDGE BOOKS BY !IR COV]S4 ,PEOPLE %\LD BE ABLE TO TAKE A /& ) Y\ )\T HAV+ TO LE>N ANY?+ AB\T ! SUBJECT4 ,MAKE IT A /YLE TO DISMISS AS A /YLE2 MAKE IT A TR5D TO ACCUSE ( BE+ A TR5D4 

,ATTACK EGOS1 EXHAU/ PATI5CE1 BE AS 9COH]5T AS POSSIBLE4 ,MAKE IT IMPOSSIBLE = ANYONE TO D]IVE ANY?+ POSITIVE FROM Y\R TIRADES1 DESPITE !IR BE/ 9T5TIONS & EF=TS TO GET PA/ Y\R AGGRESSIVE TONE4 ,:5 SPEAK+ ( ASPECTS ( !IR WORK :I* MAKE Y\ FEEL ALI5AT$1 = EXAMPLE1 BE AS ALI5AT+ AS POSSIBLE Y\RSELF4 ,DEF5SIV5ESS IS :AT Y\ WANT TO PROVOKE1 ABOVE ALL--IT DISCR$ITS LIKE NO?+ ELSE4 

,:ATEV] DEMOGRAPHICS Y\R OPPON5T IS REA*+ SUCCESSFULLY1 DEMONIZE4 ,UTILIZE HOT POTATO T]MS SU* AS 0SEXI/0 & 0CLASSI/0--USE !M OV] & OV]1 ) AS LITTLE SPECIFIC REF]5CE AS POSSIBLE1 UNTIL IT IS IMPOSSIBLE TO HAVE CON/RUCTIVE DISCUSSIONS AB\T ! IMPORTANT ISSUES !SE ACCUSATIONS RAISE4 ,ASSUME Y\ CAN REPRES5T ! VIEWS ( 9DIVIDUALS FROM BACKGR\NDS O!R ?AN Y\R [N--ESPECIALLY DEMOGRAPHICS ?AT 0NE$0 REPRES5T+1 AS IF !Y CANNOT DO IT !MSELVES4 ,REF] TO BONA FIDE REPRES5TATIVES ( !SE DEMOGRAPHICS1 :5 !Y APPE> 9 POSITIONS Y\ DIDN'T EXPECT1 AS 0TOK540 

,L[] ! LEVEL ( DISCUSSION ) PO9TLESS P]SONAL ATTACKS1 S>CASM1 & SELF-RI<TE\SNESS4 ,NO DEP? IS TOO L[ TO /OOP4 ,BECOME OBSESS$ ) Y\R CRUSADE2 CALCULATE Y\R BL[S TO HURT FEEL+S & (F5D BY/&]S4 ,EV]YONE :O HAS GR[N UP 9 ?IS VICI\S WORLD HAS BUILT UP A C]TA9 AM\NT ( FRU/RATION & RES5TM5T2 UTILIZE ?IS1 LE>N H[ TO TRIGG] IT 9 O!RS4 ,9 EV]Y DISCUSSION1 SET NEGATIVE 5]GY 9 MOTION & MAKE SURE IT W9S \T OV] CON/RUCTIVE ?\<T & RESPECTFUL DIALOGUE4 ,EV5 IF NO ONE IS P]SUAD$ BY Y\R >GUM5TS1 ?IS CREATES AN 5VIRONM5T ?AT FRI<T5S (F ALL \TSID]S4 

,ABOVE ALL1 BE AFRAID4 ,BE AFRAID ( Y\R [N WELL-HIDD5 D\BTS & VULN]ABILITIES1 & ( O!RS' REPUT$ SUP]IORITY--& SPREAD ?AT FE>1 ?AT %AME1 ?AT GUILT & RES5TM5T LIKE A PLAGUE4 ,P>ALYZE Y\RSELF & EV]YONE ELSE ) BLAME = SUPPOS$ IMP]FECTIONS4 ,HATE Y\RSELF SO MU* ?AT Y\ CAN ONLY F9D RESPITE 9 ATTACK+ O!RS4 

.<#a.> ,! ORIG9AL V]SION ( ?IS ,GUIDE 9CLUD$ A DIG AT ,CLAMOR MAGAZ9E1 :I* HAD JU/ UNCRITICALLY PUBLI%$ AN AU?ORIT>IAN ,M>XI/'S AT5TAT ON.-,RECIPES = ,DISA/].-4 7,) LITTLE REF]5CE TO ! CONT5T ( ! BOOK OR ANY?+ ELSE1 HE UTILIZ$ ! MAJORITY ( ! REVIEW TO SLAM ,CRIME?,9C4 = NOT BE+ AU?ORIT>IAN ,M>XI/S1 5D+ ) A QUOTATION FROM ,MAO47 ,TO \R GREAT DISMAY1 ,CLAMOR CEAS$ PUBLICATION ! FOLL[+ WEEK1 & SEV]AL O!R SMALL PUBLI%]S TO :OM !Y HAD [$ MONEY P]I%$ ) !M4 ,IT IS ) GREAT TREPIDATION1 !N1 ?AT WE TRA9 \R POISON P5 ON A NEW T>GET4 

7,S\RCE3 ,RETRIEV$ ON #g? ,NOVEMB] #bb FROM CRIME?9C4COM47 

,FROM 3 ,!,AN>*I/,LIBR>Y4ORG4 

,*RONOLOGY 3 
,JANU>Y #a#c1 #bbb 3 ,! ,F9E ,>T ( ,CRITICISM -- ,ADD$4 

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