,OBITU>Y3 ,ONO ,TOZABURO 7#a#i#c-#a#i#i#f7 

,PEOPLE 3 

,AU?OR 3 ,AN>*I/ ,F$]ATION 

,TEXT 3 

,ONO ,TOZABURO WAS BORN 9 #aic 9 ! ,JAPANESE T[N ( ,OSAKA :I* WAS EXP]I5C+ TRANS=MATION 9TO ONE ( ! GREAT 9DU/RIAL C5T]S4 ,?IS1 ( C\RSE1 WAS ACCOMPANI$ BY GREAT 9DU/RIAL & ECONOMIC UNRE/4 ,HE ATT5D$ ,TOKYO ,UNIV]SITY 9 #a#i#b1 DROPP+ \T AFT] #h MON?S BECAUSE ( HIS OBJECTIONS TO ! AU?ORIT>IAN =MS ( $UCATION !RE4 ,HE !N CAME 9 CONTACT ) ! GR[+ AN>*I/ MOVEM5T4 ,HE />T$ CONTRIBUT+ TO ! NEW PAP] ,AKA TO ,KURO 7,R$ & ,BLACK7 9 #aibc WRIT+ AN>*I/ POETRY = IT1 :I* WAS SUPPRESS$ 9 #a#i#b#d4 ,HE F\ND$ HIS [N PAP] ,DAM-,DAM1 A ,DADAI/-AN>*I/ PUBLICATION1 :I* HE WAS ONLY ABLE TO PRODUCE = ONE ISSUE4 ,NO PUBLI%] W\LD PR9T HIS COLLECTION ( POEMS ,HANBUN ,HIRAITA ,MADO 7,A ,HALF-,OP5$ ,W9D[7 SO HE PR9T$ IT HIMSELF 9 #a#i#b#f4 ,HE PUBLI%$ ANO!R AN>*I/ MAGAZ9E ,D&O 7,TRAJECTORY7 ) AN>*I/ POET ,KIYO%I ,AKIYAMA :I* !Y W]E UNABLE TO PUBLI% = A YE> 7#a#i#c-#c#a74 ,BY AB\T #aicd HE HAD MOV$ TO A ,M>XI/-REALI/ POSITION1 BUT HIS POETRY CONT9U$ TO BE FILL$ ) SOCIAL CRITICISM4 ,HE WAS ONE ( MANY ACTIVE 9 ! CULTURAL W+ ( A VIGOR\S AN>*I/ MOVEM5T47,SEE \R PAMPHLET ON ! ,JAPANESE ,AN>*I/ MOVEM5T BY ,JOHN ,CRUMP74 

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,*RONOLOGY 3 
,JANU>Y #a#f1 #bbb 3 ,OBITU>Y3 ,ONO ,TOZABURO 7#a#i#c-#a#i#i#f7 -- ,ADD$4 

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