,M9]S ,SPEAK 

,PEOPLE 3 

,AU?OR 3 ,H5RY ,P\LAILLE 

,TRANSLATOR 3 ,MIT*ELL ,ABIDOR 

,TEXT 3 

,9 ?IS AN?OLOGY ( PROLET>IAN LIT]ATURE ?AT WE WILL BE ATTEMPT+ EV]Y MON?1 IT SEEM$ TO US ?AT FRONT /AGE %\LD BE OCCUPI$ BY ! MO/ DIFFICULT1 ! MO/ DANG]\S1 ! LEA/ P]FECTLY KN[N ( PR(ESSIONS1 DESPITE BOOKS & FILMS ?AT /RIVE TO BE AS HONE/ AS POSSIBLE4 ,( ! WORKS D$ICAT$ TO ! M9ES ,ZOLA'S ,G]M9AL & ,G4,W4 ,PAB/'S FILM ,KAM]ADS*AFT >E PROBABLY ! MO/ REM>KABLE AMONG ?OSE GIV5 US BY LIT]ATURE & C9EMA4 ,BUT IT MU/ BE SAID ?AT AS MU* AS !Y DIFF] FROM ,MALOT'S /ORIES & ! TRICK]Y ( ! B\RGEOIS C9EMA1 !SE WORKS BESPEAK MORE AN EF=T TO UND]/& ?AT SUBJECT ?AN !Y >E AU!NTIC EXPRESSIONS ( IT4 ,A V]BAL OR A VISUAL SYMPHONY1 !SE WORKS DESCRIBE ! SUBJECT FROM )\T4 ,TO BE SURE1 ,ZOLA & ,PAB/ ATTEMPT$ TO PUT !MSELVES 9 ! PLACE ( ! *>ACT]S TO :OM !Y GAVE LIFE1 & C]TA9 TABLEAUX >E %OCK+LY TRUE4 ,)\T A D\BT IT IS ONLY RI<T TO PLACE ! SOB] & BEAUTIFUL NOVEL BY ,PI]RE ,HUB]MONT1 ,TREIZE ,HOMMES DANS LE ,M9E1 RI<T BEH9D !SE NOVELS4 ,IT IS ALSO APPROPRIATE TO M5TION ! POEMS 9 ! *T'I NOR!RN PATOIS ( ,JULES ,M\SS]ON1 BO? P]FECT 9 !MSELVES1 & ONE CAN SEE 9 !SE /ILL LIT]>Y TRANSPOSITIONS AN ACC5T ,ZOLA DID NOT R5D]1 OR ELSE DR[N$ B5EA? HIS LYRICISM4 

,! SAME ACC5T CAN BE HE>D 9 ! ,BELGE ,JEAN-,L\IS ,V&]MAES51 AS WELL AS 9 ! ,AM]ICAN POEM & ! ,NEGRO *A9 GANG SONG WE QUOTE4 ,IT IS CLE>] 9 ! ,BELGIANS ,L\IS ,G]9 & ,CON/ANT ,MALVA1 & ! ,SCOTSMAN ,JOE ,CORRIE4 ,9 ! LATT] IT'S A K9D ( CRY1 9 ! Y\NG ,G]9  -  HE'S N9ETE5 YE>S OLD  -  HIS FIR/ NOVEL ,UNE FEMME DANS LE M9E IS A BOOK ?AT'S ALREADY TWO YE>S OLD6 ,9 ,G]9 IT'S A T\*+1 /IFL$ RES5TM5T1 & IT'S IMPOSSIBLE TO READ !SE PAGES )\T FEEL+ A PANG ( HE>TBREAK1 = !SE M5 >E S5T5C$ TO H>D LABOR 9 A SUBT]RANEAN HELL4 ,IT IS 9 TAK+ !SE ?+S 9TO ACC\NT ?AT !IR IMP]FECTIONS AS WRIT]S & ! BITT]NESS 9 ! TONE ( !IR TALES1 POEMS & PLAYS MU/ BE JUDG$4 ,!RE IS P]HAPS SOME?+ UNEXPECT$ AB\T ?IS4 ,FROM ! B[ELS ( ! E>? RISES ! VOICE ( ! WORK]S4 ,IT IS P]HAPS ,CORRIE ALONE :O HAS GIV5 A FULL IDEA ( :AT IS POSSIBLE4 ,G]9 IS FULL ( VIGOR & HE WILL NO D\BT BE SPOK5 ( AGA94  ,MALVA'S OEUVRE IS BE+ GRADUALLU CON/RUCT$ & 9 IT IT IS ! V]Y VOICE ( ! M9E WE HE>3 ,CON/ANT ,MALVA SPEAKS A GALL]Y DIGG] )\T >TIFICE1 )\T LIT]>Y EFFECTS4 ,HE IS 9 ! HE>T ( ! M9E1 A ?\S& MET]S & !N SOME ABOVE SALONN>D  & POPULI/ LIT]ATURE4 ,& P]HAPS !SE ,CORRIES1 ,MALVAS1 ,G]9S1 & ,/EPH5 ,PET]S >E \TSIDE LIT]ATURE IF WE P]SI/ 9 WANT+ LIT]ATURE TO REMA9 9 ! FURR[S DUG BY ! SCRIBBL+ FLUNKIES :O1 LIKE P>ASITES1 LIV$ (F ITS NAME4 ,BUT AS EXPRESSIONS ( CLASS1 AS TE/IMONY ( A CRU%+ TASK1 \TSIDE OR )9 LIT]ATURE1 !SE VOICES CANNOT NOT BE HE>D4  

,?IS IS NO MORE ! REALM ( PLAY1 BUT ?AT ( LIFE ITSELF1 ( ! DIFFICULT LIFE1 ! DANG]\S LIFE ( ! M9] ?AT !SE NEW AMATEURS EXPOSE & EXPLA94 

,FROM 3 ,M>XI/S4ORG4 

,*RONOLOGY 3 
,JANU>Y #a#g1 #bba 3 ,M9]S ,SPEAK -- ,ADD$4 
,JANU>Y #f1 #bbb 3 ,M9]S ,SPEAK -- ,UPDAT$4 

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