Jerusalem

Untitled Anarchism Jerusalem

Not Logged In: Login?

Total Works : 0

This archive contains 35 texts, with 661,643 words or 3,830,579 characters.

Newest Additions

Afterlude
AFTERLUDE CHAIN OF OFFICE With a splash of sunlight to the cheeks Spring Boroughs basked, enjoying one of its more glamourous and less hungover mornings. Saturday dusted dilapidated balconies with cautious optimism, the persisting sense of a respite from school or work even in those attending neither. May brewed in the scruffy verges. Chalk Lane’s elderly stone wall bounding the former paupers’ cemetery was an abattoir of poppies, while just up the way a jumble sale assembly clotted on the daycare center’s slope. The district preened; no oil painting but from the right angle still as pretty as a picture. Scuffing down across the balding mound from Castle Hill, Mick Warren trickled as an off-white bead to merge into the human pigment pooled about the nursery door, quickly surrounded by a turquoise swirl of sister and the largely neutral spatter of her friends. Alarming Mic... (From : TheAnarchistLibrary.org.)

Book 3, Chapter 11 : Go See Now This Cursed Woman
GO SEE NOW THIS CURSED WOMAN Viewed from beneath the stone archangel spins scintillate darkness on his billiard cue, unhurried constellations turning at the tip just as the land below rotates about its busted hub. A universe of particles and archives of their motion bruise the lithic eye in its tooled orbit, overwriting data on a century-old smut which serves as pupil, the incessant bulletin of Friday, May the 26th, 2006. Off in the standing shadows, babies, dogs and convicts with their dreams. Viewed from above, the isomorphic urban texture flattens to a blackout map which swarms with plankton phosphorous, a Brownian nocturnal churn of long-haul truckers and unwinding weekend couples, marathon commuters, flashing vessels of emergency. Arterial light moves through the circulatory diagram in spurts, tracking the progress of cash vectors and plague opportunities. Pull focus further and the actions of the worl... (From : TheAnarchistLibrary.org.)

Book 3, Chapter 10 : The Jolly Smokers
THE JOLLY SMOKERS Den wakes beneath the windswept porch alone On bone-hard slab rubbed smooth by Sunday feet Where afternoon light leans, fatigued and spent, Ground to which he feels no entitlement Nor any purchase on the sullen street; Unpeels his chill gray cheek from chill gray stone Then orients himself in time and space. The roof’s a black-ribbed spine viewed from the floor With on one wall some obsolete decree Meant for the Cypriot community And at the near end an iron-studded door, A Bible-cover slammed shut in his face, Or that of some more academic tome. He struggles up onto one threadba... (From : TheAnarchistLibrary.org.)

Book 3, Chapter 9 : The Rood in the Wall
THE ROOD IN THE WALL It’s what you’d call a first-draft face, after the angry and frustrated crumpling. It’s a private eye face, it’s Studs Goodman’s thug-and-bourbon-battered figurehead cresting the dirty suds and breakers of another dead-end town, a burned-out world as fallen as his arches. This is how it plays, the gumshoe life, the endless waiting between cases sitting by a blinded window in the slatted light. These empty stretches with no homicides, they’re murder. Studs takes a deep, satisfying drag upon his biro. Puckering those cruel and crooked lips into a sphincter he exhales a writhing genie of imaginary smoke into the hyphenated sunrays, and considers how the bone-dry periods of his chosen trade must be like those endured by people of a thespian persuasion. Studs, a seriously addicted heterosexual trying to cut down upon a forty-dames-a-day vagina habit, has no time for... (From : TheAnarchistLibrary.org.)

Book 3, Chapter 8 : Cornered
CORNERED to judge, that’s what keeps going round and round with me well I suppose you could say I believe that everyone should have the benefit of what’s the phrase, I worry sometimes when I can’t remember things, benefit of the doubt, there, everyone should have it well not everybody obviously not some of them round here, with them what they should have it’s more doubt of the benefit in my opinion you take her, the one with stripy hair Bath Street St. Peter’s House I think she lives you see her on Crane Hill up from the Super Sausage black girl well not black mixed race, from what I hear she’s on the lot the benefits the crack the game part of the pond-life the Monk’s Pond-life I should say I mean it’s not her fault up to a point and if you’re from a disadvantaged background then statistically it’s like predestination how you end up but I still think and perhaps I’m... (From : TheAnarchistLibrary.org.)

Blasts from the Past

Upstairs
Book Two: MANSOUL It moves me most when slanting sunbeams glow On old farm buildings set against a hill, And paint with life the shapes which linger still From centuries less a dream than this we know. In that strange light I feel I am not far From the fixt mass whose side the ages are. —H. P. Lovecraft, from “Continuity” (Fungi from Yuggoth) UPSTAIRS Grand, grand, how grand it was. The little boy ascended with the wonder-thunder rumbling all round him like a brass band tuning up and up. This was the sound the world made when you left it. Michael felt like he was floating in a rubber ring, just underneath the smoky yellow ceiling of the living ro... (From : TheAnarchistLibrary.org.)

Round the Bend
ROUND THE BEND Awake, Lucia gets up wi’ the wry sing of de light. She is a puzzle, shore enearth, as all the Nurzis and the D’actors would afform, but nibber a cross word these days, deepindig on her mendication and on every workin’ grimpill’s progress. Her arouse from drowse is like a Spring, a babboling book that gorgles up amist the soils o’ sleep, flishing and glattering, to mate the mournin’ son. Canfind in this loquation now she gushes and runs chinkling from her silt and softy bed, pooring her harp out down an illside and aweigh cross the old manscape to a modhouse brookfast. Ah, what a performance, practiced and applausible. She claps her hands, over her ears, to drone out all the deadful wile-ing... (From : TheAnarchistLibrary.org.)

Malignant, Refractory Spirits
MALIGNANT, REFRACTORY SPIRITS You see more naked people when you’re dead, or at least this was the conclusion Michael was fast coming to. There had been nudes and semi-nudes among the crowd on Mansoul’s balconies, sleepwalking dreamers in their underpants, and there had been the Cromwell boy only a little while ago in Marefair. In the afterlife, nobody seemed to mind if you’d not got your clothes on. This approach appealed to Michael, who had never understood what all the fuss was over in the first place. Then there were the two young women Michael was now looking at, capering bare along the drab September length of Mary’s Street in the mid-1670s. So beautiful even a three-year-old could see it; they were hardly real... (From : TheAnarchistLibrary.org.)

The Destructor
THE DESTRUCTOR “Michael? Ooh Gawd. Michael, can you ’ear me? Please cough. Please breathe …” “ ’Old on, we’re nearly there. ’Old on, Doreen.” The sight of sulfurous Sam O’Day leaning out through the window of that car, the one that had the lady being hurt inside it, that had nearly done for Michael. And the pub full of bad ghosts, with those two screaming wooden people and the man whose features floated round his face like clouds, that had almost been worse. Those things aside, though, he was starting to get used to all this haunting business. He liked burrowing through time, and being in a gang, and having fallen secretly in love with Phyllis even though she didn’t want to ... (From : TheAnarchistLibrary.org.)

A Cold and Frosty Morning
A COLD AND FROSTY MORNING Alma Warren, barely out of bed and naked in the monstrous bathroom mirror, staring bleary at her sagging fifty-three-year-old flesh and still fancying herself something rotten. She finds her enduring vanity almost heroic in the scale of its delusion. She’s prepared to face the facts, safe in the knowledge that the facts will only scream and run away. All things considered, she’s a funny piece of work. The big square bathroom with its plaster-rounded corners is a blunted cube of gray steam rising from the eight-foot chasm of the filling tub, an ostentatious lifeboat made from tide-lined fiberglass. Subjected to this sweltering rain-forest climate every morning for at least ten years the chamber’s b... (From : TheAnarchistLibrary.org.)

I Never Forget a Book

Texts

Compartir :
Casa|Acerca de|Contacto|Política de privacidad