Illyria Street Commune

Chapter 14
TAPED NARRATOR (sound of rewinding, somewhat lengthy. Stop. Then): It began with isolated strangers in the big city, hostile and suspicious individuals surrounded by — (LYMAN turns off the tape recorder on his desk after the lights go on) (Same room. The shelves contain sandals, plates, pottery and packaged commodities. The desk no longer contains a typesetting machine. In the place of the picture window there is a wall. A large portrait occupies the center of the wall — a portrait of Philip, somewhat older and in a suit. The remainder of the wall contains the following statements:) ILLYRIA STREET COMMUNE, INC. COMMUNITY ARTS FOR EVERY HOUSEHOLD RESURRECT THE PAST WITH ISC AM = ALTERNATIVE MEDIA EXPERIENCE A GREAT LEAP FORWARD WITH COMMUNAL PRODUCTS (E.G.L.F. — C.P.) DO YOUR OWN THING... (From : TheAnarchistLibrary.org.)

Chapter 13
TAPED NARRATOR: (Sound of tape rewinding. Theme) ...like bees to flowers. The ice was broken. Two members of the community joined us, then a — (Stop) (MATTIE enters from right with a tray full of ceramic houses and some plates. She dusts them and slowly places them in the shelves) (TONI enters from right, arranges a blanket and eight pillows in the center of the room. DAN enters from right with trays of vegetables, which he places on the blanket) MATTIE: I can’t get over it. How can someone build all that and then smash it — all those friendships, all those dreams, all that work? DAN: I read about this monarch who had his eye cut out, his collar bone fractured, his hand and leg mutilated — TONI: I heard about a woman who did everything for her kid until he started to become independent — then she hacked him to de... (From : TheAnarchistLibrary.org.)

Chapter 12
TAPED NARRATOR: (Sound of rewinding tape. Then:) ...hostility still survived, it was only a diminishing residue. At last the isolated fragments were unified into a community, a (Stop) (Phone rings. TONI enters from right) TONI (on phone): Yes — Yes, I’m her sister — What hospital? — Oh my god! — Wait while I get a pencil. Could you tell me the wing and room number again? I’ll be right there. (hangs up. Shouts to right) Olympia! VOICE OF OLYMPIA: Telephone for me? TONI: No, it’s Donna. She’s in the hospital. She was hit by a car. VOICE OF OLYMPIA: Really? TONI: She tried to commit suicide! VOICE OF OLYMPIA: I’ll tell Philip. Maybe he’ll be interested. (TONI throws pencil at picture window and exits right)... (From : TheAnarchistLibrary.org.)

Chapter 11
TAPED NARRATOR: (Sound of rewinding tape. Then:) ...expedite the various tasks. That the event took place at all is almost a miracle, and is entirely due to the profound involvement of the larger community and its (Stop) (OLYMPIA, PHILIP, BARRY, LYMAN, ANASTASIA, EARL, LAMA enter from right, laughing and chatting) LYMAN: You really ought to attend that fair; I’m sure you’ll get some marvelous ideas for your next exposition. OLYMPIA: Philip and I are seriously considering it. BARRY: I’ll be sorry to miss it, but I’ve already got plane tickets for next week. (MATTIE enters from left) MATTIE: Oh gee, don’t stop. I didn’t mean to put an end to the conversation. (Silence) PHILIP: Those people are always late. MATTIE: I thought the meeting started at two. PHILIP: It’... (From : TheAnarchistLibrary.org.)

Chapter 10
TAPED NARRATOR: It took most of a year to get together all the elements required by the commune’s first and most memorable exposition. The continuing indifference, and even outright hostility, of the numerous passive onlookers who had nothing better to do with their time than cripple our commune’s project, did not help expedite the various tasks. That the event took place at all is almost a miracle, and is entirely due to the profound involvement of the larger community and its devotion to the commune’s continuing development. (DAN enters from left, typesets. TONI enters from right) TONI: Well, it’s Dan. DAN: Hi, Toni. (They embrace) TONI: You’re almost a stranger. Find new friends? DAN: No I haven’t, Toni. But I have felt like a stranger. I couldn’t take Olympia or Philip greeting me with another Political Pamphlet Dan. And I didn’t... (From : TheAnarchistLibrary.org.)

TAPED NARRATOR: The ice was broken. Two members of the community joined us, then a third, and still others followed, even actual street people. We were no longer a green island surrounded by indifferent, salty sea; the waters receded and new land began to appear. The community around us became aware that something live and vital was stirring in its midst. (During the narration, a typesetting machine, a desk and a chair are brought to the room. ALEC runs in from left, panting, and slams the front door. OLYMPIA runs in from right) OLYMPIA: What’s the matter? Is something wrong? ALEC: Nothing’s happening yet. Toni wanted me to get the largest pan we’ve got. OLYMPIA: I know the one she means. ALEC: Phone fixed yet? (OLYMPIA, A... (From : TheAnarchistLibrary.org.)

to Donna — Ben A note on performing Illyria Street Commune A dash at the end of a speech indicates that the next speaker begins before the previous one is finished. In general, there should be no pauses; props can be carried in and out while the action develops. Sequences in different parts of the room can sometimes be done simultaneously, depending on the discretion of the performers. If a prompter is necessary, it would be consistent with the play (“Ben’s play”) if Ben sat in a corner with a script, and intervened to correct lines, stepping out of his corner into scenes in which he takes part. In general, only plot and character developments have been worked out; mannerisms, motions, and also actions of other peopl... (From : TheAnarchistLibrary.org.)

TAPED NARRATOR (voice of Olympia played through a tape recorder): It began with isolated strangers in the big city, hostile and suspicious individuals surrounded by shells, their tentacles warning them of constant dangers. VOICE OF OLYMPIA (from right): Your garden is extremely well kept. VOICE OF DONNA: It’s what I like best about this house, especially now when the sprouts start coming up. VOICE OF OLYMPIA: I’ve never seen such an enormous kitchen and so well equipped! VOICE OF DONNA: I guess they just ran off and left all their stuff, as if the city were being invaded. VOICE OF OLYMPIA: What’s in here? VOICE OF DONNA: I don’t know what they used this room for, but I’ve been putting things here I didn’t... (From : TheAnarchistLibrary.org.)

TAPED NARRATOR: Strangers became friends, formerly hostile enemies became allies tied by bonds of common projects, formerly warring tribes were drawn together in a federation of kinsmen, brothers and sisters. If the initial suspicion and hostility still survived, it was only a diminishing residue. (An easel and a crib are placed near the typesetting machine) (BEN, MATTIE with ROSE ANNE in her arms, enter from right, sit) MATTIE: Your kish was wonderful, Ben. Dan sometimes succeeds with a pie, but whenever I try making something with a crust it somehow never comes out right. Were you always a good cook? BEN: (rolls joint; smoking continues during the scene) Before I came here I knew how to cook instant coffee, and that was all. MATTIE: You&r... (From : TheAnarchistLibrary.org.)

TAPED NARRATOR — Five isolated particles started to come out of their shells, to shed their tentacles, to form a community bristling with life. And as soon as five of us stepped out of our prisons, other lonely, isolated individuals were drawn to us like bees to flowers. (During the narration, ALEC and LEON have installed themselves on the floor near the picture window) ALEC: It’s my turn. LEON: No, it’s mine. ALEC: All right, it’s yours. LEON (Shakes and throws dice): My armies invade Ran! ALEC: That’s Iran. (throws): My armies invade Syria! (TONI enters from right) TONI: What are you two doing? LEON (throws): Mine advance to the Tigers. ALEC: We’re playing a game my father gave me. TONI: Can I just see ... (From : TheAnarchistLibrary.org.)